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[电子音乐] [TR24][OF] Lawrence English - A Colour For Autumn (15th Anniversary Edition) (WEB) - 2009/2024 (Ambient, Drone)

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发表于 2025-11-30 16:05:12 | 显示全部楼层 |阅读模式
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Lawrence English / A Colour For Autumn (15th Anniversary Edition)
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: WEB
Год издания/переиздания диска: 2009/2024
Жанр: Ambient, Drone
Издатель (лейбл): Room 40
Продолжительность: 00:37:40
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
1. Droplet (feat Dean Roberts) (06:46)
2. Watching It Unfold (05:53)
3. The Prelude To (02:32)
4. The Surface Of Everything (feat Fennesz) (05:21)
5. Galaxies Of Dust (05:02)
6. Stillness In Motion (05:37)
7. ...And Clouds For Company (06:28)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.6.11 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2024-10-01 20:43:50
--------------------------------------------------------------------------------
Анализ:   Lawrence English, Dean Roberts / A Colour For Autumn (15th Anniversary Edition) (1)
          Lawrence English, Fennesz / A Colour For Autumn (15th Anniversary Edition) (2)
          Lawrence English / A Colour For Autumn (15th Anniversary Edition) (3-7)
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR6       -0.20 дБ    -8.98 дБ      6:46 01-Droplet (15th Anniversary Edition)
DR6       -0.21 дБ    -9.53 дБ      5:21 04-The Surface Of Everything (15th Anniversary Edition)
DR9       -0.20 дБ   -12.90 дБ      5:53 02-Watching It Unfold (15th Anniversary Edition)
DR9       -1.47 дБ   -14.05 дБ      2:33 03-The Prelude To (15th Anniversary Edition)
DR7       -0.22 дБ   -10.44 дБ      5:02 05-Galaxies Of Dust (15th Anniversary Edition)
DR7       -0.22 дБ    -9.80 дБ      5:37 06-Stillness In Motion (15th Anniversary Edition)
DR10      -1.68 дБ   -16.43 дБ      6:28 07-...And Clouds For Company (15th Anniversary Edition)
--------------------------------------------------------------------------------
Количество треков: 7
Реальные значения DR: DR8
Частота:   48000 Гц
Каналов:   2
Разрядность:   24
Битрейт:   1348 кбит/с
Кодек:   FLAC
================================================================================

Источник (релизер): qobuz.com
Об альбоме (сборнике)
Somehow, 15 years has passed since I worked on A Colour For Autumn.
This recording was, in many ways, a critical one for me. In some respects, it rounded out a period of work that was focused on a particular marriage of thematics and harmony. Like For Varying Degrees Of Winter, it dwelled on old world impressions of the seasons, something that, in the southern hemisphere, isn’t intrinsically part of our way of approaching place. I think it was this incongruity with my own lived experience that kick started the interest in making these recordings.
The intention had originally been to take Vivaldi head-on , as the holder of the Four Seasons terrain (I jest of course), but shortly after completing this album, it became resoundingly clear that even in the old world, seasonality was a thing that was known ‘then’, and unknowable ‘now’.
Climate change, as a lived experience and not merely as a ‘possibility’, suddenly came into focus with reports flooding in about the climatic dynamics since the turn of the century and events like the Black Saturday fires here in Australia. It felt like, and continues to feel like, seasonality as some predictable measure of our world is relegated to the ‘before’ times. This record is not about these climatic shifts however, more a recognition of how we have used patterns and predictability to guide us over the centuries and perhaps a realisation that the way forward is not the path we have known historically.
Listening back to the record with fresh ears, a process made completely delightful by Stephan Mathieu who has carefully remastered it, I am struck by how minimal some of the structures were. There are moments that strike me as uncharacteristically patient and even generous, allowing one element to hold without interference. I’m grateful to still feel a deep connection to this edition and to the people and places that helped shape it.
I hope you find some sense of your place here. It’s offered with that intention and invitation.
                                                                                       
                       
                       
                       
                       
                       
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