[SACD-R][OF] Black Sabbath - Black Sabbath Vol. 4 - 1972/2012 (Hard Rock, Heavy Metal)

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<var class="postImg postImgAligned img-right" title="http://s16.radikal.ru/i191/1210/32/2a1bc3c2710a.jpg">&#10;</var><span style="font-size: 24px; line-height: normal;">Black Sabbath - Black Sabbath Vol. 4 (2012 SHM-SACD)</span><span class="post-br"><br></span><span class="post-b">Жанр</span>: Hard Rock, Heavy Metal<br>
<span class="post-b">Годы записи материала:</span> 1972<br>
<span class="post-b">Год выпуска диска:</span> 2012<br>
<span class="post-b">Производитель диска:</span> Sanctuary UIGY-9095<br>
<span class="post-b">Аудио кодек:</span> DSD 2.0<br>
<span class="post-b">Тип рипа:</span> image (ISO)<br>
<span class="post-b">Битрейт аудио:</span> 5645 kbps<br>
<span class="post-b">Частота дискретизации:</span> 2,8224 MHz<br>
<span class="post-b">Продолжительность:</span> 42:16<br>
<span class="post-b">Наличие сканов в содержимом раздачи:</span> да<br>
<span class="post-b">Источник (релизер):</span> <var class="postImg" title="http://i32.fastpic.ru/big/2011/0925/90/ca8790d1342e26a9866a8f040fe1de90.png">&#10;</var><br>
<span class="post-b">Образ снят с помощью:</span> Sony PlayStation 3 и утилиты sacd-ripper v0.21<span class="post-br"><br></span><span class="post-b">Дополнительно:</span><br>
<a href="http://www.cdjapan.co.jp/detailview.html?KEY=UIGY-9095" class="postLink">http://www.cdjapan.co.jp/detailview.html?KEY=UIGY-9095</a><span class="post-br"><br></span><span class="post-b">Треклист:</span><br>
1. Wheels Of Confusion 08:15<br>
2. Tomorrow’s Dream 03:12<br>
3. Changes 04:45<br>
4. FX 01:43<br>
5. Supernaut 04:43<br>
6. Snowblind 05:31<br>
7. Cornucopia 03:54<br>
8. Laguna Sunrise 02:53<br>
9. St. Vitus’ Dance 02:30<br>
10. Under The Sun 05:51<hr class="post-hr"><span class="post-i">Black Sabbath Vol. 4</span> is the fourth album by the British heavy metal band Black Sabbath, released in September 1972. The album was originally to be titled Snow Blind In L.A., after one of several songs referring to cocaine use, and features several Sabbath classics, such as “Wheels of Confusion”, “Tomorrow’s Dream”, “Supernaut”, “Snowblind” and “Under the Sun”.<hr class="post-hr">

<span>All Music Review</span>
<var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><span class="post-br"><br></span>Vol. 4 is the point in Black Sabbath’s career where the band’s legendary drug consumption really starts to make itself felt. And it isn’t just in the lyrics, most of which are about the blurry line between reality and illusion. Vol. 4 has all the messiness of a heavy metal Exile on Main St., and if it lacks that album’s overall diversity, it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk. As a result, there are some puzzling choices made here (not least of which is the inclusion of “FX”), and the album often contradicts itself. Ozzy Osbourne’s wail is becoming more powerful here, taking greater independence from Tony Iommi’s guitar riffs, yet his vocals are processed into a nearly textural element on much of side two. Parts of Vol. 4 are as ultra-heavy as Master of Reality, yet the band also takes its most blatant shots at accessibility to date — and then undercuts that very intent. The effectively concise “Tomorrow’s Dream” has a chorus that could almost be called radio-ready, were it not for the fact that it only appears once in the entire song. “St. Vitus Dance” is surprisingly upbeat, yet the distant-sounding vocals don’t really register. The notorious piano-and-Mellotron ballad “Changes” ultimately fails not because of its change-of-pace mood, but more for a raft of the most horrendously clich&#233;d rhymes this side of “moon-June.” Even the crushing “Supernaut” — perhaps the heaviest single track in the Sabbath catalog — sticks a funky, almost danceable acoustic breakdown smack in the middle. Besides “Supernaut,” the core of Vol. 4 lies in the midtempo cocaine ode “Snowblind,” which was originally slated to be the album’s title track until the record company got cold feet, and the multi-sectioned prog-leaning opener, “Wheels of Confusion.” The latter is one of Iommi’s most complex and impressive compositions, varying not only riffs but textures throughout its eight minutes. Many doom and stoner metal aficionados prize the second side of the album, where Osbourne’s vocals gradually fade further and further away into the murk, and Iommi’s guitar assumes center stage. The underrated “Cornucopia” strikes a better balance of those elements, but by the time “Under the Sun” closes the album, the lyrics are mostly lost under a mountain of memorable, contrasting riffery. Add all of this up, and Vol. 4 is a less cohesive effort than its two immediate predecessors, but is all the more fascinating for it. Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band’s excesses.
                                                                                       

                       
                       

                       
                       
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