<ol class="post-ul"><span style="font-size: 24px; line-height: normal;"><span class="p-color" style="color: DarkSlateGray;"><span class="post-font-sans1"><span class="post-b">Roger Waters</span><br>
Amused to Death</span></span></span><hr class="post-hr"><var class="postImg postImgAligned img-right" title="http://i72.fastpic.ru/big/2015/0725/01/01c50790426ff971e26dc836ad6b5b01.jpg"> </var><span class="post-font-sans1"><span class="post-b">Год издания/переиздания диска</span>: 1992/2015<br>
<span class="post-b">Жанр</span>: Progressive Rock<br>
<span class="post-b">Издатель</span>: Columbia | Legacy<br>
<span class="post-b">Продолжительность</span>: 01:12:37<br>
<span class="post-b">Релизер</span>: error404<br>
<span class="post-b">Наличие сканов</span>: Sleeve<hr class="post-hr"><a href="http://www.hdtracks.com/amused-to-death-245966" class="postLink"><var class="postImg" title="http://funkyimg.com/i/VJtb.png"> </var></a><hr class="post-hr"><var class="postImg" title="http://funkyimg.com/i/Ka8E.png"> </var><br>
<span class="p-color" style="color: gray;">01.</span> The Ballad of Bill Hubbard <span class="p-color" style="color: gray;">(4:21)</span><br>
<span class="p-color" style="color: gray;">02.</span> What God Wants, Pt. I <span class="p-color" style="color: gray;">(6:00)</span><br>
<span class="p-color" style="color: gray;">03.</span> Perfect Sense, Pt. I <span class="p-color" style="color: gray;">(4:15)</span><br>
<span class="p-color" style="color: gray;">04.</span> Perfect Sense, Pt. II <span class="p-color" style="color: gray;">(2:51)</span><br>
<span class="p-color" style="color: gray;">05.</span> The Bravery of Being Out of Range <span class="p-color" style="color: gray;">(4:45)</span><br>
<span class="p-color" style="color: gray;">06.</span> Late Home Tonight, Pt. I <span class="p-color" style="color: gray;">(4:01)</span><br>
<span class="p-color" style="color: gray;">07.</span> Late Home Tonight, Pt. II <span class="p-color" style="color: gray;">(2:13)</span><br>
<span class="p-color" style="color: gray;">08.</span> Too Much Rope <span class="p-color" style="color: gray;">(5:48)</span><br>
<span class="p-color" style="color: gray;">09.</span> What God Wants, Pt. II <span class="p-color" style="color: gray;">(3:40)</span><br>
<span class="p-color" style="color: gray;">10.</span> What God Wants, Pt. III <span class="p-color" style="color: gray;">(4:09)</span><br>
<span class="p-color" style="color: gray;">11.</span> Watching TV <span class="p-color" style="color: gray;">(6:06)</span><br>
<span class="p-color" style="color: gray;">12.</span> Three Wishes <span class="p-color" style="color: gray;">(6:52)</span><br>
<span class="p-color" style="color: gray;">13.</span> It's a Miracle <span class="p-color" style="color: gray;">(8:30)</span><br>
<span class="p-color" style="color: gray;">14.</span> Amused to Death <span class="p-color" style="color: gray;">(9:07)</span><span class="post-br"><br></span><hr class="post-hr"><span class="post-br"><br></span><span class="post-b">Контейнер</span>: FLAC (*.flac)<br>
<span class="post-b">Тип рипа</span>: tracks<span class="post-br"><br></span><span class="post-b">Разрядность</span>: 24bit / 192kHz<br>
<span class="post-b">Количество каналов</span>: 2.0<span class="post-br"><br></span></span><hr class="post-hr">
<span>О релизе</span>
<span class="post-font-sans1"><br>
An unblinking look at an entertainment-obsessed society, 'Amused To Death' addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly – and unthinkingly – in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.<span class="post-br"><br></span>„Amused to Death is a solid album both conceptually and musically, showcasing Waters as an artist who, like his work with Pink Floyd, conveys his thoughts and ideals with pinpoint accuracy so that they are engraved within his audience's mind. With this album, Waters touches heavily on the dangers of capitalism, the insensitivity of the human race, the ridiculousness of war, and the onslaught of mindless entertainment that encroaches on mankind on a day-to-day basis. Fitting all these aspects into 14 songs is a task in itself, but accomplishing this task alongside music that is forceful and appealing is extremely difficult, and still Waters succeeds in doing this throughout the duration of the album. 'The Ballad of Bill Hubbard' is a moving spoken intro from Alf Razzell, a former member of Britain's Royal Fusiliers. A stab at the false sense of security that lies within religion is dealt with on the powerful 'What God Wants, Pt. 1,' and the cowardice of the world's leaders is addressed in 'The Bravery of Being Out of Range,' one of the albums most blatant tracks. Guest guitarist Jeff Beck rises to the occasion on a number of songs here, and both Rita Coolidge and Don Henley fill in behind and beside Waters on a couple of the longer tunes. Ending with the title track, a song that sums up the whole of the album with it's subtle yet hard-hitting demeanor, Waters proves that he can still reveal his conceptual ideas with pristine clarity, only on Amused to Death, the music is as equally entertaining and effective.“ (Mike DeGagne, AMG)<span class="post-br"><br></span><span class="post-u">Personnel:</span><span class="post-br"><br></span>Roger Waters – vocals (all tracks except 1), bass guitar (tracks 2 and 13), synthesisers (tracks 2 and 4), guitar (tracks 5, 11 and 14)<br>
Patrick Leonard – keyboards (all tracks except 6 and 7), percussion programming (track 1), choir arrangement (tracks 2, 9-11 and 13), vocals (track 4), acoustic piano (tracks 11 and 13), Hammond organ (track 5), synthesisers (tracks 5 and 13)<br>
Jeff Beck – guitar (tracks 1, 2, 10-14)<br>
Randy Jackson – bass guitar (tracks 2 and 9)<br>
Graham Broad – drums (all tracks except 1, 5, 11 and 13), percussion (tracks 6 and 7)<br>
Luis Conte – percussion (all tracks except 2, 5, 9, 11, 13 and 14)<br>
Geoff Whitehorn – guitar (tracks 2, 8, 10 and 14)<br>
Andy Fairweather Low – guitar (tracks 2, 6-9, 11 and 12), vocals (tracks 6 and 7)<br>
Tim Pierce – guitar (tracks 2, 5, 9 and 12)<br>
B.J. Cole – guitar (tracks 3 and 4)<br>
Steve Lukather – guitar (tracks 3, 4 and 8)<br>
Rick DiFonso – guitar (tracks 3 and 4)<br>
Bruce Gaitsch – guitar (tracks 3 and 4)<br>
James Johnson – bass (all tracks except 1, 2, 5, 9 and 11)<br>
Brian Macleod – snare (tracks 3 and 4), hi-hat (tracks 3 and 4)<br>
John Pierce – bass guitar (track 5)<br>
Denny Fongheiser – drums (track 5)<br>
Steve Sidwell – cornet (tracks 6 and 7)<br>
John Patitucci – bass guitar (track 11)<br>
Guo Yi & the Peking Brothers – dulcimer, lute, zhen, oboe, bass (track 11)<br>
John "Rabbit" Bundrick – Hammond organ (track 12)<br>
Jeff Porcaro – drums (track 13)<br>
Marv Albert – vocals (track 4)<br>
Katie Kissoon – vocals (tracks 2, 8, 9, 12 and 14)<br>
Doreen Chanter – vocals (tracks 2, 8, 9, 12 and 14)<br>
N'Dea Davenport – vocals (track 2)<br>
Natalie Jackson – vocals (tracks 2 and 5)<br>
P.P. Arnold – vocals (tracks 2, 3, 4 and 10)<br>
Lynn Fiddmont-Linsey – vocals (track 5)<br>
Jessica Leonard – vocals (track 8)<br>
Jordan Leonard – vocals (track 8)<br>
Don Henley – vocals (track 11)<br>
Jon Joyce – vocals (track 13)<br>
Stan Farber – vocals (track 13) (credited as Stan Laurel)<br>
Jim Haas – vocals (track 13)<br>
Rita Coolidge – vocals (track 14)<br>
Alf Razzell – vocals (tracks 1 and 14)<br>
London Welsh Chorale, background vocals<br>
The National Philharmonic Orchestra<span class="post-br"><br></span>Recorded 1987–1992<br>
Engineered by Hayden Bendall, Jerry Jordan, Steve Mclaughlan<br>
Produced by Roger Waters, Nick Griffiths, Patrick Leonard<span class="post-br"><br></span>Digitally remastered by James Guthrie<span class="post-br"><br></span></span>
<span>Отчёты</span>
<span>Динамический диапазон</span>
<pre class="post-pre">foobar2000 1.3.8 / Dynamic Range Meter 1.1.1<br>log date: 2015-07-25 15:20:59<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: Roger Waters / Amused to Death<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR Peak RMS Duration Track<br>--------------------------------------------------------------------------------<br>DR14 -6.60 dB -25.35 dB 4:21 01-The Ballad of Bill Hubbard<br>DR12 0.00 dB -15.12 dB 6:00 02-What God Wants, Pt. I<br>DR12 -3.79 dB -20.40 dB 4:15 03-Perfect Sense, Pt. I<br>DR11 -1.06 dB -16.36 dB 2:51 04-Perfect Sense, Pt. II<br>DR11 -2.03 dB -15.16 dB 4:45 05-The Bravery of Being Out of Range<br>DR13 -0.01 dB -18.34 dB 4:01 06-Late Home Tonight, Pt. I<br>DR12 -7.75 dB -25.44 dB 2:13 07-Late Home Tonight, Pt. II<br>DR12 -1.26 dB -18.44 dB 5:48 08-Too Much Rope<br>DR12 -1.62 dB -17.74 dB 3:40 09-What God Wants, Pt. II<br>DR12 -1.40 dB -17.14 dB 4:09 10-What God Wants, Pt. III<br>DR13 -5.63 dB -22.30 dB 6:06 11-Watching TV<br>DR14 0.00 dB -19.47 dB 6:52 12-Three Wishes<br>DR15 -1.01 dB -22.07 dB 8:30 13-It's a Miracle<br>DR13 0.00 dB -18.44 dB 9:07 14-Amused to Death<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks: 14<br>Official DR value: DR13<span class="post-br"><br></span>Samplerate: 192000 Hz<br>Channels: 2<br>Bits per sample: 24<br>Bitrate: 5285 kbps<br>Codec: FLAC<br>================================================================================<span class="post-br"><br></span></pre>
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