<span style="font-size: 24px; line-height: normal;"><span class="p-color" style="color: darkblue;"><span class="post-font-sans1">Stevie Ray Vaughan and Double Trouble<br>
<span class="post-b">Couldn’t Stand The Weather</span></span></span></span><hr class="post-hr"><var class="postImg postImgAligned img-right" title="http://s020.radikal.ru/i710/1505/d9/be746cea7eff.jpg"> </var><span class="post-b">Формат записи/Источник записи</span>: [SACD-R][OF]<br>
<span class="post-b">Наличие водяных знаков</span>: Нет<br>
<span class="post-b">Год издания/переиздания диска</span>: 1984/2000<br>
<span class="post-b">Жанр</span>: Blues Rock<br>
<span class="post-b">Издатель(лейбл)</span>: Epic ESGA (Japan)<br>
<span class="post-b">Продолжительность</span>: 00:54:36<br>
<span class="post-b">Наличие сканов в содержимом раздачи</span>: Да<span class="post-br"><br></span><span class="post-b">Треклист</span>:<br>
01. SCUTTLE BUTTIN'<br>
02. COULDN'T STAND THE WEATHER<br>
03. THE THINGS (THAT) I USED TO DO<br>
04. VOODOO CHILE(SLIGHT RETURN)<br>
05. COLD SHOT<br>
06. TIN PAN ALLEY(aka ROUGHEST PLACE IN TOWN)<br>
07. HONEY BEE<br>
08. STANG'S SWANG<br>
<span class="post-b">Bonus Tracks:</span><br>
09. SRV SPEAKS<br>
10. HIDE AWAY<br>
11. LOOK AT LITTLE SISTER<br>
12. GIVE ME BACK MY WIG<br>
13. COME ON(Pt.III)
<span>Состав</span>
Stevie Ray Vaughan – guitar, vocals<br>
Tommy Shannon – bass<br>
Chris Layton – drums<span class="post-br"><br></span><span class="post-i">Additional personnel:</span><br>
Jimmie Vaughan – rhythm guitar on “Couldn’t Stand the Weather” & “The Things That I Used to Do”<br>
Fran Christina – drums on “Stang’s Swang”<br>
Stan Harrison – tenor saxophone on “Stang’s Swang”
<span>Об альбоме (сборнике)</span>
It doesn’t get any better than this! SRV & Double Trouble are right in my room, it seems, when I play this disc, the sound is absolutely amazing! ~CDJapan.<span class="post-br"><br></span>Vaughan’s sophomore album broils with authority & intensity & has never sounded better.<span class="post-br"><br></span>Like the destructive tornado on the album’s cover, Stevie Ray Vaughan’s Couldn’t Stand The Weather blows with gale-force intensity, moves everything in its path & contains beautiful moments of calm at its centre. Caught up in the momentum gained from his brilliant debut, the guitar slinger comes on with a startling degree of authority, confidence & swagger that hadn’t been witnessed in the blues realm in decades. At last, this incredible tour de force has finally been done right. Vaughan’s trademark Fender Stratocaster has never sounded more lifelike, powerful or authentic.<span class="post-br"><br></span>AllMusic:<br>
Stevie Ray Vaughan’s 2nd album, Couldn’t Stand the Weather, pretty much did everything a 2nd album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan’s status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the 8 songs, half are covers, while two2 of his 4 originals are instrumentals — not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn’t. Nevertheless, Couldn’t Stand the Weather feels a bit like a holding pattern, since there’s no elaboration on Double Trouble’s core sound & no great strides forward, whether it’s in Vaughan’s songwriting or musicianship. Still, as holding patterns go, it’s a pretty enjoyable 1, since Vaughan & Double Trouble play spiritedly throughout the record.<br>
With its swaggering, stuttering riff, the title track ranks as 1 of Vaughan’s classics, & thanks to a nuanced vocal, he makes W.C. Clark’s “Cold Shot” his own. The instrumentals — the breakneck Lonnie Mack-styled “Scuttle Buttin'” & “Stang’s Swang,” another effective demonstration of Vaughan’s jazz inclinations — work well, even if the original shuffle “Honey Bee” fails to make much of an impression & the cover of “Voodoo Chile (Slight Return)” is too reminiscent of Jimi Hendrix’s original. So, there aren’t many weaknesses on the record, aside from the suspicion that Vaughan didn’t really push himself as hard as he could have, & the feeling that if he had, he would have come up with something a bit stronger.
<span>Disclaimer / Отказ от ответственности</span>
<span class="p-color" style="color: darkred;">Скачивая приложенные файлы, вы соглашаетесь, по крайней мере, с одним из нижеперечисленных пунктов:<br>
- вы являетесь законным владельцем SACD, аналогичного тому, с которого снята эта копия, и загружаете копию с целью архивирования,<br>
- вы являетесь законным владельцем легальной копии данного произведения, выпущенного на другом носителе (CD, DVD, Vinyl, альтернативный SACD и др.) или приобретенного вами в виде копии, предоставляемой для загрузки через сеть Интернет, и загружаете данные файлы по причине того, что данный SACD более не производится и/или недоступен в вашем регионе,<br>
- вы имеете намерение приобрести оригинальный SACD и загружаете данные файлы с целью предварительного ознакомления перед покупкой. В этом случае, вы обязаны приобрести легальную копию SACD или удалить загруженные файлы в течение 24 часов.<br>
Производство и предоставление доступа к данным файлам проводится с научной целью и не имеет цели извлечения прибыли или иных целей, кроме вышеозначенных. Авторские и смежные права на представленные произведения принадлежат законным правообладателям, обозначенным на упаковке. Данная информация включена в состав представленных файлов.<span class="post-br"><br></span>By downloading the files listed above you agree to at least one of the following:<br>
- You are the righteous owner of a physical and original copy of the SACD, and you’re downloading the files for backup or universal playback purposes.<br>
- In case the SACD is out of print, hard-to-find, or inaccessible in your country, you possess an authentic version of the album as standard CD, vinyl, DVD-A, alternative SACD, or paid-for Internet download.<br>
- You’re previewing/sampling the musical files before purchasing the SACD. In case of lack of purchase, you will permanently delete the files within a 24-hour period.<br>
The files are made for scientific purposes and are not made or distributed for profit or commercial advantage. Any adaptation, reproduction and distribution right is exclusive to the original copyright holder.</span>
/1 
发表于 2025-11-30 15:37:56
提升卡
置顶卡