<span>скрытый текст</span>
johann sebastian bach 1685-1750<br>
01. Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture<br>
02. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air<br>
03. Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes<br>
04. Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourrée<br>
05. Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue<span class="post-br"><br></span>johann bernhard bach 1676-1749<br>
06. Ouverture-Suite in E Minor: I. Ouverture. Allegro<br>
07. Ouverture-Suite in E Minor: II. Air I<br>
08. Ouverture-Suite in E Minor: III. Les plaisirs. vitement<br>
09. Ouverture-Suite in E Minor: IV. Menuets<br>
10. Ouverture-Suite in E Minor: V. Air II<br>
11. Ouverture-Suite in E Minor: VI. Rigaudons<br>
12. Ouverture-Suite in E Minor: VII. Courante<br>
13. Ouverture-Suite in E Minor: VIII. Gavotte en rondeaux<span class="post-br"><br></span>johann sebastian bach<br>
14. Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture<br>
15. Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante<br>
16. Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes<br>
17. Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane<br>
18. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets<br>
19. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées<br>
20. Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds<span class="post-br"><br></span>johann sebastian bach<br>
21. Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture<br>
22. Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourréess<br>
23. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavottes<br>
24. Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuets<br>
25. Orchestral Suite No. 4 in D Major, BWV 1069: VII. Réjouissance<span class="post-br"><br></span>johann ludwig bach<br>
26. Ouverture in G Major: I. Ouverture<br>
27. Ouverture in G Major: II. Air I<br>
28. Ouverture in G Major: III. Menuet<br>
29. Ouverture in G Major: IV. Gavotte<br>
30. Ouverture in G Major: V. Air II<br>
31. Ouverture in G Major: VI. Bourrée<span class="post-br"><br></span>johann sebastian bach<br>
32. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture<br>
33. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau<br>
34. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande<br>
35. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées<br>
36. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise-Double<br>
37. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet<br>
38. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
<pre class="post-pre"><br>foobar2000 1.6.13 / Dynamic Range Meter 1.1.1<br>log date: 2023-01-21 11:48:49<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: Rinaldo Alessandrini, Concerto Italiano / Bach: Ouvertures for Orchestra<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR Peak RMS Duration Track<br>--------------------------------------------------------------------------------<br>DR12 -0.79 dB -16.10 dB 9:41 01-Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture<br>DR13 -6.99 dB -24.89 dB 3:54 02-Orchestral Suite No. 3 in D Major, BWV 1068: II. Air<br>DR14 -0.79 dB -17.71 dB 4:07 03-Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes<br>DR12 -0.79 dB -15.01 dB 1:09 04-Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourrée<br>DR12 -0.79 dB -15.19 dB 2:30 05-Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue<br>DR15 -3.36 dB -19.92 dB 6:49 06-Ouverture-Suite in E Minor: I. Ouverture. Allegro<br>DR12 -2.99 dB -19.44 dB 2:56 07-Ouverture-Suite in E Minor: II. Air I<br>DR12 -5.23 dB -21.23 dB 1:24 08-Ouverture-Suite in E Minor: III. Les plaisirs. vitement<br>DR13 -2.82 dB -19.79 dB 2:18 09-Ouverture-Suite in E Minor: IV. Menuets<br>DR13 -3.95 dB -20.72 dB 2:07 10-Ouverture-Suite in E Minor: V. Air II<br>DR15 -2.69 dB -21.03 dB 2:49 11-Ouverture-Suite in E Minor: VI. Rigaudons<br>DR13 -5.91 dB -20.59 dB 1:53 12-Ouverture-Suite in E Minor: VII. Courante<br>DR14 -2.82 dB -21.43 dB 1:15 13-Ouverture-Suite in E Minor: VIII. Gavotte en rondeaux<br>DR13 -2.60 dB -17.69 dB 10:31 14-Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture<br>DR12 -3.18 dB -18.74 dB 2:57 15-Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante<br>DR12 -2.72 dB -19.04 dB 3:18 16-Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes<br>DR13 -1.00 dB -18.60 dB 1:09 17-Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane<br>DR13 -4.83 dB -21.40 dB 2:50 18-Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets<br>DR14 -1.10 dB -18.25 dB 2:37 19-Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées<br>DR13 -4.06 dB -19.00 dB 2:42 20-Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds<br>DR13 -0.49 dB -16.95 dB 12:24 21-Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture<br>DR14 -0.49 dB -19.83 dB 3:04 22-Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourréess<br>DR13 -0.49 dB -17.14 dB 1:58 23-Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavottes<br>DR12 -6.98 dB -21.27 dB 4:33 24-Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuets<br>DR13 -0.49 dB -17.62 dB 2:50 25-Orchestral Suite No. 4 in D Major, BWV 1069: VII. Réjouissance<br>DR13 -0.83 dB -18.88 dB 5:15 26-Ouverture in G Major: I. Ouverture<br>DR12 -1.55 dB -18.86 dB 1:22 27-Ouverture in G Major: II. Air I<br>DR12 -3.19 dB -18.52 dB 1:16 28-Ouverture in G Major: III. Menuet<br>DR12 -2.71 dB -19.90 dB 1:15 29-Ouverture in G Major: IV. Gavotte<br>DR13 -4.16 dB -20.83 dB 2:40 30-Ouverture in G Major: V. Air II<br>DR13 -3.19 dB -21.01 dB 0:52 31-Ouverture in G Major: VI. Bourrée<br>DR13 -3.19 dB -19.21 dB 11:11 32-Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture<br>DR13 -2.99 dB -20.02 dB 1:18 33-Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau<br>DR12 -5.48 dB -21.55 dB 2:40 34-Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande<br>DR12 -5.93 dB -19.77 dB 2:01 35-Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées<br>DR11 -5.97 dB -20.58 dB 4:09 36-Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double<br>DR12 -4.71 dB -21.29 dB 0:56 37-Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet<br>DR12 -5.78 dB -21.75 dB 1:35 38-Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks: 38<br>Official DR value: DR13<span class="post-br"><br></span>Samplerate: 88200 Hz<br>Channels: 2<br>Bits per sample: 24<br>Bitrate: 2458 kbps<br>Codec: FLAC<br>================================================================================<span class="post-br"><br></span></pre>
<span class="post-b">Источник (релизер)</span>: <a href="https://www.prestomusic.com/classical/products/8690512--johann-s-bernhard-ludwig-bach-ouvertures-for-orchestra" class="postLink">Prestomusic</a><br>
<span class="post-b">Оркестр</span>: Concerto Italiano<br>
<span class="post-b">Композитор</span>: Johann Sebastian Bach, Johann Bernhard Bach, Johann Ludwig Bach<br>
<span class="post-b">Исполнитель</span>: Rinaldo Alessandrini, Concerto Italiano
<span>Об исполнителе (группе)</span>
For several decades, as solo harpsichordist and director of his ensemble Concerto Italiano, Rinaldo Alessandrini has been exploring not just the Italian repertoire that he is so passionate about but also the works of Bach - as in his benchmark recording of the Brandenburg Concertos in 2005. In this new recording, Alessandrini has mounted a challenge to all currently available recordings of those four Orchestral Suites that Bach called ‘Overtures’, after their imposing opening movements. It’s uncertain when these dance suites were composed or where they were first performed but they were certainly played in Leipzig at the time Bach was directing its celebrated Collegium Musicum.<span class="post-br"><br></span>Here Alessandrini has once again sifted all available sources, putting the composer’s entire output under the microscope to identify the most authentic details of style and orchestration. The result is a subtle balance between Bach’s intricate contrapuntal writing and the spontaneity of his dances, with their French and Italian influences. Together with these majestic, festive, radiant works by JS Bach, Concerto Italiano presents two Overtures in the same instrumental mould by Johann Bernhard and Johann Ludwig Bach - two composer cousins with whom Johann Sebastian enjoyed lifelong ties of mutual friendship and esteem. During his Leipzig years he had their Overtures copied out, so he could perform them with the Collegium Musicum. Here then is a welcome opportunity to hear these two superb orchestral pieces in the contemporary context of Bach’s own music.