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[古典] [TR24][OF] Concerto Italiano, Rinaldo Alessandrini - Johann S/Bernhard/Ludwig Bach: Ouvertures For Orchestra (BWV 1066, 1067, 1068, 1069) - 2019 (Classical)

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59519 发表于 2025-11-30 14:03:25 | 查看全部 阅读模式
<span style="font-size: 24px; line-height: normal;">Concerto Italiano, Rinaldo Alessandrini / Johann S/Bernhard/Ludwig Bach: Ouvertures For Orchestra</span><span class="post-br"><br></span><var class="postImg postImgAligned img-right" title="https://i121.fastpic.org/big/2023/0123/f3/a6f46d3ec74653cebc74518915b06cf3.jpg">&#10;</var><span class="post-b">Формат записи/Источник записи</span>: [TR24][OF]<br>
<span class="post-b">Наличие водяных знаков</span>: Нет<br>
<span class="post-b">Год издания/переиздания диска</span>: 2019<br>
<span class="post-b">Жанр</span>: Classical<br>
<span class="post-b">Издатель (лейбл)</span>: na&#239;ve classique<br>
<span class="post-b">Продолжительность</span>: 02:09:52<br>
<span class="post-b">Наличие сканов в содержимом раздачи</span>: Буклет PDF<span class="post-br"><br></span><span class="post-b">Треклист</span>:

<span>скрытый текст</span>
johann sebastian bach 1685-1750<br>
01. Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture<br>
02. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air<br>
03. Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes<br>
04. Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourr&#233;e<br>
05. Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue<span class="post-br"><br></span>johann bernhard bach 1676-1749<br>
06. Ouverture-Suite in E Minor: I. Ouverture. Allegro<br>
07. Ouverture-Suite in E Minor: II. Air I<br>
08. Ouverture-Suite in E Minor: III. Les plaisirs. vitement<br>
09. Ouverture-Suite in E Minor: IV. Menuets<br>
10. Ouverture-Suite in E Minor: V. Air II<br>
11. Ouverture-Suite in E Minor: VI. Rigaudons<br>
12. Ouverture-Suite in E Minor: VII. Courante<br>
13. Ouverture-Suite in E Minor: VIII. Gavotte en rondeaux<span class="post-br"><br></span>johann sebastian bach<br>
14. Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture<br>
15. Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante<br>
16. Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes<br>
17. Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane<br>
18. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets<br>
19. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourr&#233;es<br>
20. Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds<span class="post-br"><br></span>johann sebastian bach<br>
21. Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture<br>
22. Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourr&#233;ess<br>
23. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavottes<br>
24. Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuets<br>
25. Orchestral Suite No. 4 in D Major, BWV 1069: VII. R&#233;jouissance<span class="post-br"><br></span>johann ludwig bach<br>
26. Ouverture in G Major: I. Ouverture<br>
27. Ouverture in G Major: II. Air I<br>
28. Ouverture in G Major: III. Menuet<br>
29. Ouverture in G Major: IV. Gavotte<br>
30. Ouverture in G Major: V. Air II<br>
31. Ouverture in G Major: VI. Bourr&#233;e<span class="post-br"><br></span>johann sebastian bach<br>
32. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture<br>
33. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau<br>
34. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande<br>
35. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourr&#233;es<br>
36. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise-Double<br>
37. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet<br>
38. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie

<span class="post-b">Контейнер</span>: FLAC (*.flac)<br>
<span class="post-b">Тип рипа</span>: tracks<span class="post-br"><br></span><span class="post-b">Разрядность</span>: 24/88,2<br>
<span class="post-b">Формат</span>: PCM<br>
<span class="post-b">Количество каналов</span>: 2.0

<span>Лог проверки качества</span>

<pre class="post-pre"><br>foobar2000 1.6.13 / Dynamic Range Meter 1.1.1<br>log date: 2023-01-21 11:48:49<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: Rinaldo Alessandrini, Concerto Italiano / Bach: Ouvertures for Orchestra<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR         Peak         RMS     Duration Track<br>--------------------------------------------------------------------------------<br>DR12      -0.79 dB   -16.10 dB      9:41 01-Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture<br>DR13      -6.99 dB   -24.89 dB      3:54 02-Orchestral Suite No. 3 in D Major, BWV 1068: II. Air<br>DR14      -0.79 dB   -17.71 dB      4:07 03-Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes<br>DR12      -0.79 dB   -15.01 dB      1:09 04-Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourr&#233;e<br>DR12      -0.79 dB   -15.19 dB      2:30 05-Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue<br>DR15      -3.36 dB   -19.92 dB      6:49 06-Ouverture-Suite in E Minor: I. Ouverture. Allegro<br>DR12      -2.99 dB   -19.44 dB      2:56 07-Ouverture-Suite in E Minor: II. Air I<br>DR12      -5.23 dB   -21.23 dB      1:24 08-Ouverture-Suite in E Minor: III. Les plaisirs. vitement<br>DR13      -2.82 dB   -19.79 dB      2:18 09-Ouverture-Suite in E Minor: IV. Menuets<br>DR13      -3.95 dB   -20.72 dB      2:07 10-Ouverture-Suite in E Minor: V. Air II<br>DR15      -2.69 dB   -21.03 dB      2:49 11-Ouverture-Suite in E Minor: VI. Rigaudons<br>DR13      -5.91 dB   -20.59 dB      1:53 12-Ouverture-Suite in E Minor: VII. Courante<br>DR14      -2.82 dB   -21.43 dB      1:15 13-Ouverture-Suite in E Minor: VIII. Gavotte en rondeaux<br>DR13      -2.60 dB   -17.69 dB     10:31 14-Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture<br>DR12      -3.18 dB   -18.74 dB      2:57 15-Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante<br>DR12      -2.72 dB   -19.04 dB      3:18 16-Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes<br>DR13      -1.00 dB   -18.60 dB      1:09 17-Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane<br>DR13      -4.83 dB   -21.40 dB      2:50 18-Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets<br>DR14      -1.10 dB   -18.25 dB      2:37 19-Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourr&#233;es<br>DR13      -4.06 dB   -19.00 dB      2:42 20-Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds<br>DR13      -0.49 dB   -16.95 dB     12:24 21-Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture<br>DR14      -0.49 dB   -19.83 dB      3:04 22-Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourr&#233;ess<br>DR13      -0.49 dB   -17.14 dB      1:58 23-Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavottes<br>DR12      -6.98 dB   -21.27 dB      4:33 24-Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuets<br>DR13      -0.49 dB   -17.62 dB      2:50 25-Orchestral Suite No. 4 in D Major, BWV 1069: VII. R&#233;jouissance<br>DR13      -0.83 dB   -18.88 dB      5:15 26-Ouverture in G Major: I. Ouverture<br>DR12      -1.55 dB   -18.86 dB      1:22 27-Ouverture in G Major: II. Air I<br>DR12      -3.19 dB   -18.52 dB      1:16 28-Ouverture in G Major: III. Menuet<br>DR12      -2.71 dB   -19.90 dB      1:15 29-Ouverture in G Major: IV. Gavotte<br>DR13      -4.16 dB   -20.83 dB      2:40 30-Ouverture in G Major: V. Air II<br>DR13      -3.19 dB   -21.01 dB      0:52 31-Ouverture in G Major: VI. Bourr&#233;e<br>DR13      -3.19 dB   -19.21 dB     11:11 32-Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture<br>DR13      -2.99 dB   -20.02 dB      1:18 33-Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau<br>DR12      -5.48 dB   -21.55 dB      2:40 34-Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande<br>DR12      -5.93 dB   -19.77 dB      2:01 35-Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourr&#233;es<br>DR11      -5.97 dB   -20.58 dB      4:09 36-Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double<br>DR12      -4.71 dB   -21.29 dB      0:56 37-Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet<br>DR12      -5.78 dB   -21.75 dB      1:35 38-Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks:  38<br>Official DR value: DR13<span class="post-br"><br></span>Samplerate:        88200 Hz<br>Channels:          2<br>Bits per sample:   24<br>Bitrate:           2458 kbps<br>Codec:             FLAC<br>================================================================================<span class="post-br"><br></span></pre>

<span class="post-b">Источник (релизер)</span>: <a href="https://www.prestomusic.com/classical/products/8690512--johann-s-bernhard-ludwig-bach-ouvertures-for-orchestra" class="postLink">Prestomusic</a><br>
<span class="post-b">Оркестр</span>: Concerto Italiano<br>
<span class="post-b">Композитор</span>: Johann Sebastian Bach, Johann Bernhard Bach, Johann Ludwig Bach<br>
<span class="post-b">Исполнитель</span>: Rinaldo Alessandrini, Concerto Italiano

<span>Об исполнителе (группе&#41;</span>
For several decades, as solo harpsichordist and director of his ensemble Concerto Italiano, Rinaldo Alessandrini has been exploring not just the Italian repertoire that he is so passionate about but also the works of Bach - as in his benchmark recording of the Brandenburg Concertos in 2005. In this new recording, Alessandrini has mounted a challenge to all currently available recordings of those four Orchestral Suites that Bach called ‘Overtures’, after their imposing opening movements. It’s uncertain when these dance suites were composed or where they were first performed but they were certainly played in Leipzig at the time Bach was directing its celebrated Collegium Musicum.<span class="post-br"><br></span>Here Alessandrini has once again sifted all available sources, putting the composer’s entire output under the microscope to identify the most authentic details of style and orchestration. The result is a subtle balance between Bach’s intricate contrapuntal writing and the spontaneity of his dances, with their French and Italian influences. Together with these majestic, festive, radiant works by JS Bach, Concerto Italiano presents two Overtures in the same instrumental mould by Johann Bernhard and Johann Ludwig Bach - two composer cousins with whom Johann Sebastian enjoyed lifelong ties of mutual friendship and esteem. During his Leipzig years he had their Overtures copied out, so he could perform them with the Collegium Musicum. Here then is a welcome opportunity to hear these two superb orchestral pieces in the contemporary context of Bach’s own music.


<span>Об альбоме (сборнике&#41;</span>
Johann Sebastian Bach’s four <span class="post-i">Overtures</span> (or <span class="post-i">Orchestral Suites</span>) remain somewhat of a mystery as the exact date and circumstances of their composition is still unknown. Just like his <span class="post-i">Brandenburg Concertos</span>, they are intended for a variable number of musicians and all four of them consist of a dance suite preceded by a three-part opening movement, in the middle of which is a brilliantly fast and skilful fugal section.<br>
The music in this double-disc album by Rinaldo Alessandrini is twice as exciting as it also explores the Overtures composed by two cousins of Johann Sebastian, namely Johann Bernhard (1676-1749) and Johann Ludwig (1677-1731). He held their music in such high esteem that he even played it during the Leipzig Collegia Musica’s concert in Gottfried Zimmermann’s caf&#233;, where a weekly concert took place with either himself or Telemann conducting, although it was later destroyed during air-raids. Indeed, their music was remarkable and it certainly shouldn’t be overshadowed in light of the success of their younger cousin.<br>
When JS Bach composed these <span class="post-i">Overtures</span>, it would seem that he was influenced by French music given that a didactic work entitled <span class="post-i">Musical Composition according to the French method</span> was published in Germany in 1682 outlining an overture that precedes a series of dance suites. This particular style of composition would later become symbolic of the “<span class="post-i">alla francese</span>” style that was soon adopted by musicians all across Europe. A most welcome album where music and didactics go hand-in-hand. © Fran&#231;ois Hudry/Qobuz

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