Terje Winge / Organism
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Classical
Издатель (лейбл): 2L
Продолжительность: 01:09:22
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
Kjell Mørk Karlsen Sonata “De profundis” opus 143
1. I. De profundis clamavi 08:18
2. II. Monodi 05:35
3. III. Aus tiefer Not 07:20
Trygve Madsen Le Tombeau de Dupré opus 62
4. I. Prelude 04:44
5. II. Fugue 03:24
6. III. Scherzo 05:23
7. IV. Cantabile 03:21
8. V. Final 05:37
Kjell Flem Ecclesia in mundo
9. I. Ecclesia in mundo 06:10
10. II. Communion 06:22
11. III. Jubilus 13:03
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Другие дорожки звука: MQA 24/352.8
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-06-10 06:53:26
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Analyzed: Terje Winge / ORGANISM
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DR Peak RMS Duration Track
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DR10 -0.50 dB -16.22 dB 8:19 01-Sonata De Profundis, op 143; I. De profundis clamavi
DR10 -2.59 dB -18.89 dB 5:36 02-Sonata De Profundis, op 143; II. Monodi
DR11 -0.42 dB -16.29 dB 7:20 03-Sonata De Profundis, op 143; III. Aus tiefer Not
DR11 -2.90 dB -17.96 dB 4:44 04-Le Tombeau de Dupre, op 62; I. Prelude
DR11 -7.38 dB -24.88 dB 3:24 05-Le Tombeau de Dupre, op 62; II. Fugue
DR12 -3.27 dB -20.94 dB 5:24 06-Le Tombeau de Dupre, op 62; III. Scherzo
DR10 -9.84 dB -23.72 dB 3:22 07-Le Tombeau de Dupre, op 62; IV. Cantabile
DR12 -0.93 dB -17.90 dB 5:38 08-Le Tombeau de Dupre, op 62; V. Final
DR11 -0.58 dB -16.04 dB 6:10 09-Ecclesia in mundo; I. Ecclesia in mundo
DR10 -18.46 dB -32.80 dB 6:23 10-Ecclesia in mundo; II. Communion
DR11 -0.43 dB -16.41 dB 13:04 11-Ecclesia in mundo; III. Jubilus
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Number of tracks: 11
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1298 kbps
Codec: FLAC
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Доп. информация: Представленное в раздаче сдернуто с оригинального диска посредством функции mShuttle.
MQA - алгоритм сжатия с потерями представленный Meridan. Программы "не знающие" MQA (Foobar 2000 и.т.п.) выдадут лишь "ядро" с качеством 24/44.1(48) . Audirvana Plus и аппаратные плееры/цапы имеющие сертификат "Core Decoder" выдадут 24/88.2 (96). И наконец аппаратура с сертификатом "Full decoder" выдаст сигнал с полным качеством. Подробнее http://www.mqa.co.uk/customer/how-it-works
Источник (релизер): собственный рип
Композитор: Kjell Mørk Karlsen, Trygve Madsen, Kjell Flem
Исполнитель: Terje Winge, organ
Об исполнителе (группе)
Terje Winge (born 1950) is Professor of Organ at the Norwegian Academy of Music, where he has taught since the early 1980s. He received his own organ education from the Norwegian organists Ludvig Nielsen and Arild Sandvold, before studying with Jiri Reinberger in Prague and Gaston Litaize in Paris.
Об альбоме (сборнике)
The organ music on this album is written by three composers with different musical backgrounds and development who nevertheless have something of the same close feeling for the instrument, almost an organic oneness with it. Trygve Madsen studied with organist-composer Egil Hovland, one of the 20th century's most significant pioneers in the field of church music. Kjell Mørk Karlsen grew up in a rich church music milieu, inspired by his father, Rolf Karlsen, who was Oslo cathedral organist for over fifteen years. Kjell Flem studied piano and organ, gaining a close knowledge of the organ's technical and musical possibilities. While Karlsen's music builds on the long German-Lutheran tradition, the more playful style of Madsen is closer to that of the French organ symphony. Kjell Flem's main inspiration has been the music of Olivier Messiaen, evident both in his compositional technique and in his interest in using musical impulses from more exotic parts of the world. However, for all the differences in their approaches and backgrounds, none of these composers have repudiated tonality as their musical foundation. While German organ music continued to adhere to the Lutheran chorale tradition, organ music in France began to see the organ as much more than a liturgical instrument. It is true that French organist-composers felt their roots lay in the melodious plainsong of the Gregorian chant, but, exploiting huge advances in organ-building, they managed during the 19th century to free themselves from the liturgical context and to demonstrate that the organ could match a symphony orchestra in its range of colours and fullness of sound.
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发表于 2022-9-27 16:19:13
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