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[其他] [TR24][OF] Dolly Parton - The Great Pretender - 1984/2015 (Pop, Folk, Country)

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十年荣誉奖章音乐大神

发表于 2020-9-23 06:05:15 | 显示全部楼层 |阅读模式
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1984/2015
Жанр: Pop, Folk, Country
Издатель (лейбл): RCA, Legacy
Продолжительность: 35:31
Источник (релизер): hdtracks
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Треклист:
01. Save The Last Dance For Me (Feat The Jordanaires) 3:51
02. I Walk The Line 3:34
03. Turn, Turn, Turn (To Everything There Is A Season) 4:24
04. Downtown 3:20
05. We Had It All 3:51
06. She Don't Love You (Like I Love You) 3:41
07. We'll Sing In The Sunshine 3:25
08. I Can't Help Myself (Sugar Pie, Honey Bunch) 2:50
09. Elusive Butterfly 2:45
10. The Great Pretender 3:43
Лог проверки качества

foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-01-10 00:04:06
--------------------------------------------------------------------------------
Analyzed: Dolly Parton / The Great Pretender
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11       0.00 dB   -13.28 dB      3:53 ?-Save the Last Dance for Me
DR12       0.00 dB   -14.11 dB      3:36 ?-I Walk the Line
DR11       0.00 dB   -14.57 dB      4:26 ?-Turn, Turn, Turn (To Everything There Is a Season)
DR11       0.00 dB   -12.83 dB      3:21 ?-Downtown
DR12      -1.53 dB   -17.89 dB      3:52 ?-We Had It All
DR11      -0.79 dB   -14.27 dB      3:42 ?-She Don't Love You (Like I Love You)
DR12      -2.92 dB   -17.38 dB      3:26 ?-We'll Sing in the Sunshine
DR12      -1.02 dB   -14.17 dB      2:51 ?-I Can't Help Myself (Sugar Pie, Honey Bunch)
DR11      -2.93 dB   -16.37 dB      2:47 ?-Elusive Butterfly
DR11      -1.30 dB   -16.16 dB      3:42 ?-The Great Pretender
--------------------------------------------------------------------------------
Number of tracks:  10
Official DR value: DR11
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2771 kbps
Codec:             FLAC
================================================================================


Об исполнителе (группе)
Parton's commercial success continued to grow during 1980, as she had three number one hits in a row: the Donna Summer-written "Starting Over Again," "Old Flames (Can't Hold a Candle to You)," and "9 to 5." The latter was the theme song to Parton's acting debut, 9 to 5. Also starring Jane Fonda and Lily Tomlin, the movie became a huge success, establishing Parton as a movie star. The song became her first number one pop single as well. 9 to 5 gave Parton's career momentum that lasted throughout the early '80s. She began appearing in more films, including the Burt Reynolds musical The Best Little Whorehouse in Texas (1982) and the Sylvester Stallone comedy Rhinestone (1984). Parton's singles continued to appear consistently in the country Top Ten: between 1981 and 1985, she had 12 Top Ten hits and half of those were number one singles. Parton continued to make inroads on the pop charts as well with a re-recorded version of "I Will Always Love You" from The Best Little Whorehouse in Texas scraping the Top 50 and her Kenny Rogers duet "Islands in the Stream" (which was written by the Bee Gees and produced by Barry Gibb) spending two weeks at number one.
However, by 1985 many old-time fans had felt that Parton was spending too much time courting the mainstream. Most of her albums were dominated by the adult contemporary pop of songs like "Islands in the Stream," and it had been years since she had sung straightforward country. She also continued to explore new business and entertainment ventures such as her Dollywood theme park, which opened in 1985. Despite these misgivings, she had continued to chart well until 1986, when none of her singles reached the Top Ten. RCA Records didn't renew her contract after it expired that year, and she signed with Columbia in 1987.
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