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[电子音乐] [TR24][OF] Karl Bartos - The Cabinet Of Dr. Caligari - 2024 (Electronic | Krautrock)

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发表于 2025-11-30 16:08:18 | 显示全部楼层 |阅读模式
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Karl Bartos


The Cabinet Of Dr. Caligari




• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2024
• Жанр: Electronic | Krautrock
• Продолжительность:
01:15:48
• Источник:
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks
• Наличие сканов: front
• Разрядность: 24/44,1 • Количество каналов: 2.0 • Формат: PCM
• Треклист •


✧ 01 - Prologue (00:01:32)
✧ 02 - Scary Memories (00:02:21)
✧ 03 - Atonal Floating (00:01:02)
✧ 04 - Full Of Life (00:01:57)
✧ 05 - In The Town Hall (00:02:55)
✧ 06 - At The Funfair (00:02:42)
✧ 07 - A Mysterious Crime (00:01:09)
✧ 08 - At The Funfair 2 (00:02:56)
✧ 09 - The Cabinet Of Dr. Caligari (00:05:15)
✧ 10 - Jane's Theme (00:00:51)
✧ 11 - March Grotesque 2 (00:00:27)
✧ 12 - Jane's Theme 2 (00:01:11)
✧ 13 - Shadows (00:00:36)
✧ 14 - Tragic Message (00:02:19)
✧ 15 - Suspicion (00:02:11)
✧ 16 - Tragic Message 2 (00:01:17)
✧ 17 - The Plan (00:00:56)
✧ 18 - A Dark Figure (00:00:28)
✧ 19 - Caligari's Theme (00:01:16)
✧ 20 - Arrest Of The Suspect (00:00:56)
✧ 21 - Caligari's Theme 2 (00:01:44)
✧ 22 - Worried Jane (00:00:44)
✧ 23 - Interrogation (00:01:24)
✧ 24 - Jane's Fear (00:03:35)
✧ 25 - Francis's Observation (00:00:45)
✧ 26 - Cesare's Attack And Escape (00:04:31)
✧ 27 - Safe And Sound (00:01:31)
✧ 28 - Francis At A Loss (00:01:39)
✧ 29 - Caligari's Deception (00:02:18)
✧ 30 - Lunatic Asylum (00:03:08)
✧ 31 - In Search Of The Truth (00:07:54)
✧ 32 - Out In The Field (00:02:37)
✧ 33 - The Director Rants And Rages (00:02:13)
✧ 34 - Scary Memories 2 (00:00:55)
✧ 35 - Who's Mad Here (00:02:34)
✧ 36 - Francis Rants And Rages (00:02:10)
✧ 37 - Epilogue (00:01:32)



• Лог DRM •

foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2024-02-16 08:34:35
--------------------------------------------------------------------------------
Analyzed: Karl Bartos / The Cabinet Of Dr. Caligari
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR7       -4.76 dB   -14.13 dB      1:32 01-Prologue
DR9       -3.07 dB   -16.16 dB      2:22 02-Scary Memories
DR7       -2.02 dB   -13.36 dB      1:02 03-Atonal Floating
DR7       -4.01 dB   -13.36 dB      1:58 04-Full Of Life
DR7       -4.01 dB   -14.32 dB      2:56 05-In The Town Hall
DR7       -4.01 dB   -13.38 dB      2:43 06-At The Funfair
DR21     -11.51 dB   -36.61 dB      1:10 07-A Mysterious Crime
DR8       -4.01 dB   -13.24 dB      2:56 08-At The Funfair 2
DR7       -4.01 dB   -13.51 dB      5:15 09-The Cabinet Of Dr. Caligari
DR10      -1.48 dB   -15.78 dB      0:51 10-Jane's Theme
DR13      -1.35 dB   -16.81 dB      0:27 11-March Grotesque 2
DR9       -1.68 dB   -16.08 dB      1:11 12-Jane's Theme 2
DR6       -4.01 dB   -13.50 dB      0:37 13-Shadows
DR10      -8.04 dB   -22.92 dB      2:20 14-Tragic Message
DR6       -4.01 dB   -13.92 dB      2:12 15-Suspicion
DR9      -10.51 dB   -23.08 dB      1:17 16-Tragic Message 2
DR7       -4.01 dB   -13.45 dB      0:56 17-The Plan
DR11      -2.62 dB   -15.02 dB      0:28 18-A Dark Figure
DR11      -1.67 dB   -16.49 dB      1:16 19-Caligari's Theme
DR8       -2.82 dB   -13.48 dB      0:57 20-Arrest Of The Suspect
DR11      -1.06 dB   -14.86 dB      1:44 21-Caligari's Theme 2
DR9      -10.41 dB   -23.23 dB      0:45 22-Worried Jane
DR8       -2.82 dB   -12.48 dB      1:25 23-Interrogation
DR8       -4.12 dB   -18.25 dB      3:36 24-Jane's Fear
DR10      -4.44 dB   -21.01 dB      0:46 25-Francis's Observation
DR7       -3.73 dB   -14.36 dB      4:31 26-Cesare's Attack And Escape
DR8       -2.82 dB   -13.24 dB      1:32 27-Safe And Sound
DR7       -2.81 dB   -13.49 dB      1:39 28-Francis At A Loss
DR8       -3.52 dB   -14.21 dB      2:19 29-Caligari's Deception
DR9       -2.86 dB   -14.06 dB      3:08 30-Lunatic Asylum
DR8       -2.07 dB   -13.87 dB      7:55 31-In Search Of The Truth
DR10      -8.85 dB   -24.67 dB      2:38 32-Out In The Field
DR10      -1.52 dB   -13.98 dB      2:14 33-The Director Rants And Rages
DR9       -3.13 dB   -15.07 dB      0:55 34-Scary Memories 2
DR16      -1.10 dB   -22.71 dB      2:34 35-Who's Mad Here
DR9       -1.85 dB   -13.78 dB      2:10 36-Francis Rants And Rages
DR6       -4.55 dB   -13.37 dB      1:33 37-Epilogue
--------------------------------------------------------------------------------
Number of tracks:  37
Official DR value: DR9
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1363 kbps
Codec:             FLAC
================================================================================

• Karl Bartos •
Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk, he helped create the stunning track 'Metropolis', directly inspired by a band viewing of the classic 1927 Fritz Lang film of the same name. The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce had long been lost and in 2005, after watching the film, Bartos imagined what it would be like to create an entirely new one in the 21st Century in his home studios in Hamburg. Now with crystal clear images, digitally restored by the Friedrich-Wilhelm -Murnau-Foundation, the film is visually the best quality it has ever been, and now, with Bartos' soundtrack, there is impressive sound to go with the haunting vision. Narrative film music and sound design for Robert Wiene's classic 1920 psychological thriller.
For the task, Bartos ransacked his own library of musical compositions, recreating pieces he had written as a young classical musician in his pre-Kraftwerk days whilst creating new sounds, melodies and textures. The intention was not simply to write a film score per se. This was to be an immersive listening experience with special sound effects to match the action as we enter the film as both spectator and participant. A creaking door, footsteps on gravel, the turning of pages in a ledger, a half-heard fragment of dialogue are seamlessly synchronised to the action on screen. By taking the characteristics of Expressionism in the arts, and transferring them into film making, a disturbing, distorted depiction of reality enwrapped and entrapped the viewer. The subjective replaces the objective. We are sucked into a parallel world lit in menacing chiaroscuro, where dimension, proportion and perspective are all off skew. From the convex polygon-shaped windows of precipitously sharp-inclined buildings to the surreally odd tables and chairs with long spindly legs to be found in preposterously small and oddly shaped rooms, alienating camera angles and impossible vanishing points, the town of Holstenwall in which much of the action takes place, is the world of the imagination, not the empirical world of our own eyes and ears. 'The cinema image must become an engraving,' the film's set designer Hermann Warm said. We can hear melodies that lie within the tradition of the Baroque Age of Bach, the early Romanticism of Mozart, the dissonance of Schoenberg, the unsettling metric play of Stravinsky and the harshly dramatic repetitions of Philip Glass. From outside of the classical tradition there is the folklorist bricolage of the fair- ground barrel organ tempered playfully by some psychedelic backwards musique concrete along with some melodies which would not have been out of place on a Kraftwerk album from the classic era.
All the time the listener is on a journey, sounds move in and out, music weaves and entwines, the soundscape is immersive and intoxicatingly rich. It is music which is, by turns, beautiful, amusing, playful and profoundly dis- quieting and it is perfect fit for the aesthetic of era-jumping in the actual film. Dr. Caligari's action switches from the then present day to the past century and even further back before rebooting back to the imagined present.
'There's something about this film. No matter how often you watch it, it keeps its secrets. Who is mad and who is not always remains a question of interpretation,' says Bartos. The film remains an enigma, but now one with the soundtrack and soundscape it deserves.

                                                                                       
                       
                       
                       
                       
                       
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