foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2024-09-26 12:56:04
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Analyzed: Hania Rani / Nostalgia (Live)
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DR Peak RMS Duration Track
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DR6 -0.80 dB -9.45 dB 5:52 01-Rani: 24.03 (Live at Studio 1, Warsaw)
DR6 -0.79 dB -8.90 dB 6:55 02-Bellamy, Rani: Thin Line (Live at Studio 1, Warsaw)
DR8 -0.80 dB -11.46 dB 5:31 03-Watson, Rani: Dancing with Ghosts (Live at Studio 1, Warsaw)
DR12 -0.80 dB -16.78 dB 6:37 04-Rani: The Boat (Live at Studio 1, Warsaw)
DR6 -0.80 dB -10.59 dB 7:10 05-Rani: It Comes in Waves (Live at Studio 1, Warsaw)
DR7 -0.79 dB -10.59 dB 6:55 06-Bellamy, Rani: Don't Break My Heart (Live at Studio 1, Warsaw)
DR7 -0.79 dB -11.56 dB 10:34 07-Rani: Komeda (Live at Studio 1, Warsaw)
DR7 -0.79 dB -12.38 dB 5:09 08-Rani: Utrata (Live at Studio 1, Warsaw)
DR14 -0.80 dB -20.09 dB 5:47 09-Rani: Nostalgia (Live at Roundhouse, London)
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Number of tracks: 9
Official DR value: DR8
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1344 kbps
Codec: FLAC
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Об исполнительнице (рус.) | About Artist (ru)
Хания Рани
Хания Рани (Hania Rani; урождённая Ханна Ранижевска; род. 5 сентября 1990 года в Гданьске, Польша) – польская пианистка и композитор, получившая признание благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений своих коллег, в которых сочетаются классическое звучание с трогательными текстами.
Хания Рани пишет для струнных, фортепиано, голоса и электроники, сотрудничала с такими музыкантами, как Кристиан Лёффлер (Christian Löffler), Хиор Хроник (Hior Chronik), Викингур Олафссон (Víkingur Ólafsson), группой Portico Quartet. В ее активе музыка для театральной постановки режиссера Михала Здуника (Michał Zdunik), альбомы Biała flaga (2015) и Inner Symphonies (2021) с виолончелисткой Добравой Чочер (Dobrawa Czocher) и альбом Mi (2018) дуэта Tęskno, который был удостоен художественной награды города Торунь им. Гжегожа Цеховского. География выступлений пианистки охватывает самые престижные концертные площадки Европы, от Национальной филармонии в Варшаве и Funkhaus в Берлине до Roundhouse в Лондоне, где она дебютировала на десятилетии лебйла Gondwana осенью 2018 года, и таких фестивалей, как Open’er, Scope Festival и Eurosonic.
Ханна Ранижевска (Hania Raniszewska), взявшая творческий псевдоним Хания Рани – польская пианистка и композитор, выпускница Музыкального университета им. Фредерика Шопена, которая живет на два города, путешествуя между Варшавой и Берлином. Девушка выросла в семье виолончелистки, воспитывала свои музыкальные вкусы на записях Pink Floyd, The Beatles и Генделя. В юности закончила музыкальную школу и серьезно увлеклась игрой на фортепиано, во многом из-за желания по-своему интерпретировать звучание и гармонические возможности инструмента во всей их полноте. Первое признание у себя на родине Ханна получила благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений земляка Гжегожа Цеховского. Кроме того, Хания Рани – участница дуэта с виолончелисткой Добравой Чочер (Dobrawa Czocher) и дуэта Tęskno с вокалисткой Джоанной Лонгич (Joanna Longić), сочетающем в своих произведениях классическое звучание с трогательными текстами.
На своем дебютном сольном альбоме Esja, вышедшем на Gondwana Records в 2019 году, Хания Рани стремится передать ощущение безграничного пространства и времени, языком музыки выразить влияние Берлина, исландских пейзажей и гор Бещады в юго-восточной Польше, к которым пианистка с детства питает особую любовь. Материал был записан в квартире Ханны в Варшаве, ставшей для артистки своеобразной звуковой лабораторией, и в студии ее друга-звукорежиссера Бергура Ториссона (Bergur Þórisson) в Рейкьявике.
Продолжением неоклассического путешествия стал альбом Home, вышедший на Gondwana Records в 2020 году. «Мне кажется, Home, – говорит Хания Рани, – это вторая часть той же книги, начало которой было положено в Esja, музыкальной прелюдии к настоящему сюжету. Я чувствую, что Home – это история с концом, поэтому в следующей книге может быть рассказано совершенно другое. Я постоянно ищу новые способы самовыражения. Мне любопытно, куда Home приведет меня и мою музыку».
Как и все творческие личности, Хания Рани постоянно развивается в музыкальном плане и ищет новые возможности для воплощения своих идей и заветных мечт, в числе которых премия «Оскар» за музыку к фильму. https://www.last.fm/ru/music/hania+rani/+wiki
Об исполнительнице (англ.) | About Artist (en)
Hania Rani
Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. She has performed at some of the most prestigious venues in Europe – from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London and at festivals such as Open’er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.
Her debut album ‘Esja’, a beguiling collection of solo piano pieces on Gondwana Records was released to international acclaim on April 5th 2019, including nominations in 5 categories in the Polish music industry’s very own Grammys, the Fryderyki, winning the Discovery of the Year 2019 in the Empik chain’s Bestseller Awards, plus the prestigious Sanki award for the most interesting new face of Polish music as chosen by Polish journalists. Rani also composed the music for her first full length movie “I Never Cry” directed by Piotr Domalewski, and for the play “Nora” directed by Michał Zdunik. Her song “Glass” was used as a soundtrack of a short movie by Małgorzata Szumowska for Miu Miu’s movie cycle “Women’s Tales”.
Her follow-up album ‘Home’, will be released digitally on May 29th and finds Rani adding vocals and subtle electronics to her music as well as being joined on some tracks by bassist Ziemowit Klimek and drummer Wojtek Warmijak. The album reunites her with recording engineers Piotr Wieczorek and Ignacy Gruszecki (Monochrom Studio), and the tracks were again mixed by Gijs van Klooster in his studio in Amsterdam and by Piotr Wieczorek in Warsaw (Ombelico and Come Back Home). Home was mastered by Zino Mikorey in Berlin (known for his work on albums by artists such as Nils Frahm and Olafur Arnalds).
“One can be lost but can find home in his inner part – which can mean many things – soul, imagination, mind, intuition, passion. I strongly believe that when being in uncertain times and living an unstable life we can still reach peace with ourselves and be able to find ‘home’ anywhere’ This is what I would like to express with my music – one can travel the whole world but not see anything. It is not where we are going but how much we are able to see and hear things happening around us”. — Hania Rani
Rani grew up in Gdansk with her parents (a doctor and architect) and surrounded by music and films. Initially inspired to study classical music, she was introduced to jazz and electronics at music school, widening her interests and as she puts it, “mixing Chopin & Schostakovitch with Dave Brubeck and Moderat”. Other inspirations include composers such as Max Richter, Esbjorn Svensson, Miles Davis, Nils Frahm, Murcof, Portico Quartet, Radiohead and even The Beatles. “It’s what connects all these artists that inspires me, their special approach to music and sound. For me they have big hearts and huge minds.”
But Rani’s inspirations aren’t just musical, she has drawn inspiration from places she has lived and visited. “It’s about the feeling, the general atmosphere, sometimes about memories. Moving to Berlin (where you have the freedom to be yourself), exploring Iceland and the wild mountains in Bieszczady, South-East Poland, all changed me as a person, so I guess, also affected me as an artist.”And inspiration comes too from visual arts. Her father was an architect and the arts remain hugely important to Rani. “I find that what really inspires my music is not the music, but all the other things. I take inspiration for the form of my own pieces from architecture and design. Then I translate this “foreign” language, to my own music and the outcome is way more interesting for me than just getting it from the music. Indeed, for Rani it is often an image or a colour that comes first, what she calls a sound image. “I can really feel the colours, the mood – just like with photography. If the image is strong enough, sounds come along very quickly, trying to build the right image stuck in my head. The music fills the space, the music brings the new worlds, new spaces. http://haniarani.com/about/
Об альбоме (англ.) | About Album (en)
Info for 'Nostalgia'
On the 6th of October 2023, the release date of her third solo album ‘Ghosts’, Hania Rani organised a special album release concert with a string ensemble in a very unique location - Witold Lutosławski's Concert Studio at the Polish Radio in Warsaw.
“Over the years, the spaces of Polish Radio became an important part of my life - both privately and professionally. I visited it for the first time as a student of Chopin University of Music and came back to make my first recordings in late 2018, just before the release of the debut album ‘Esja’. Since then I have been a regular guest.”
The building is located in the Mokotów district in Warsaw and has served generations of musicians and sound engineers for decades. For Hania it is a home from home; a beloved recording studio but something more important and resonant too. Nostalgia does more than just present a memorable concert; it celebrates a space and an idea as through the mediums of photography and recorded sound. Hania creates something profound and enlightening.
“Some months after this special concert in Studio S1 I came back to the chambers of Polish Radio. This time not as a musician, but as an observer. It was one of the coldest Mondays of January and Warsaw was adorned with fresh, plush snow. The building seemed completely empty, so I was able to navigate freely with my camera from space to space without interruption. I relished each object and each room waiting patiently to be consumed by a film roll. The obscure lighting was putting things in a subtle movement, the strong white beams were making them still again”
Through Nostalgia, Hania presents the studios in her own perspective, as somewhere unique and unknown. A place of work, but something more. A place of ghosts and hidden meanings, of inspiration and mystery; The deluxe LP comes with a 16-page booklet featuring Hania’s unique analogue photos, along with her thoughts on the recording process, studios, and the compositions themselves. The CD includes these photos in a beautifully glued-in 12-page booklet.
releases September 27, 2024 https://haniarani.bandcamp.com/album/nostalgia
Состав | Artists
Hania Rani, piano, electronics, keyboards, drum machine, vocals
Ziemowit Klimek (all except It Comes in Waves and Nostalgia) double bass, moog
String Ensemble (24.03, Thin Line, The Boat, Komeda, Utrata)
Karolina Gutowska violin
Jan Pietkiewicz violin
Marta Piórkowska violin
Paweł Czarny viola
Tomasz Rosiński viola
Dobrawa Czocher cello
Marianna Sikorska cello
Mateusz Błaszczak cello
Recorded by Viktor Orri Árnason, Agata Dankowska October 6, Studio S1, Polish Radio, Warsaw
Miche Moreno, Pablo Campanaro October 26, Roundhouse, London
All music composed by Hania Rani
Edited and produced by Hania Rani
Mixed by Greg Freeman
Mastered by Peter Beckman, Technology Works
Photography by Hania Rani
Design by Veil Projects
2024, Gondwana Records
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发表于 2025-11-30 16:08:16
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