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[电子音乐] [TR24][OF] Richard Chartier - On Leaving - 2024 (Experimental)

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发表于 2025-11-30 16:06:15 | 显示全部楼层 |阅读模式
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Richard Chartier


On Leaving



• Формат | Источник записи: [TR24][OF] • Водяных знаков: Нет
• Год издания релиза: 2024
• Жанр: Experimental • Продолжительность: 01:07:09
• Источник:
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front
• Разрядность: 24/96 • Количество каналов: 2.0 • Формат: PCM
• Треклист •


✧ 01 - variance.1 (00:10:03)
✧ 02 - variance.2 (00:16:37)
✧ 03 - variance.3 (00:15:00)
✧ 04 - variance.4 (00:10:08)
✧ 05 - variance.a (00:15:20)



• Лог DRM •

foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2024-05-27 09:54:10
--------------------------------------------------------------------------------
Analyzed: Richard Chartier / On Leaving
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR18      -0.35 dB   -26.08 dB     10:03 01-variance.1
DR10      -3.30 dB   -17.97 dB     16:37 02-variance.2
DR9       -3.77 dB   -19.01 dB     15:01 03-variance.3
DR1       -4.17 dB    -8.90 dB     10:08 04-variance.4
DR10      -2.56 dB   -18.86 dB     15:20 05-variance.a
--------------------------------------------------------------------------------
Number of tracks:  5
Official DR value: DR10
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1352 kbps
Codec:             FLAC
================================================================================

• Richard Chartier •
For over a quarter of a century, sound artist and composer Richard Chartier has interrogated an ever deepening thread of minimalist sound that meshes questions of stasis, pulse and timbre. The results of this work is some of the most quietly intense compositions of this century. His is a music of subtle variation, unwavering concentration, and also patience. This five part work created between 2020 and 2022 is dedicated to his friend and fellow sound artist Steve Roden.
"I first became friends with Steve Roden (and later his wife, Sari) back in 1998 when my first album 'direct.incidental.consequential' was released. He was one of the first group of artists to whom I sent the album. Almost instantly he had been there on the other side of the phone (or email) and ever since.
His way of listening and attention to details (no matter how small) was inspirational — the clarity and complexity of his understated and only seemingly simple compositions, engaging. Underneath it all, 'the less’ truly opened your ears to 'the more.' Steve saw and heard everything between the noise, no matter how faint.
Some of the last times I was able to see Steve were right before the pandemic. The effects of his advancing Alzheimers were present, still somewhat subtle, but increasing. I am still regretful that we were unable to spend more time together prior to his succumbing to his condition’s cruel effects. Another regret is not engaging in the collaboration we had both talked about for YEARS. 'We should really start on that sometime soon' Steve and I would say with each passing year.
I worked on the compositions included on this album as Steve gradually slipped away from communication. He was not in my life like he had been before. During this time it became apparent that these pieces were for Steve. A reflection of his ability to find beauty in the most minute details. Even when finally reviewing the final masters after his passing, I tried to think about how Steve would listen.
What would Steve hear in the details? His effect on this album is strong... the accumulation of influence and inspiration. This album feels organic and warm and was developed during a time when his absence in my life increased. That warmth is reflective of the nature of who Steve was himself, his friendship, and his visual & sound work.

                                                                                       
                       
                       
                       
                       
                       
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