Craig Padilla & Zero Ohms / To Sleep On Stellar Winds
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2024
Жанр: Ambient, Berlin School, Atmospheric
Издатель (лейбл): Spotted Peccary
Продолжительность: 59:59
Наличие сканов в содержимом раздачи: Нет
Треклист:
1. Past All We Knew 04:52
2. Initiation, This Ship of Exploration 10:42
3. The Momentum of Intention 09:08
4. A New Space Revealing 13:12
5. Asleep on Stellar Winds 22:05
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 2.1.4 / Dynamic Range Meter 1.1.1
log date: 2024-12-09 16:45:24
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Analyzed: Craig Padilla & Zero Ohms / To Sleep On Stellar Winds
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DR Peak RMS Duration Track
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DR13 -1.00 dB -15.92 dB 4:52 1/5-Past All We Knew
DR14 -1.00 dB -17.87 dB 10:43 2/5-Initiation, This Ship of Exploration
DR12 -1.00 dB -16.18 dB 9:09 3/5-The Momentum of Intention
DR11 -1.74 dB -16.91 dB 13:13 4/5-A New Space Revealing
DR14 -1.00 dB -17.62 dB 22:06 5/5-Asleep on Stellar Winds
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Number of tracks: 5
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2578 kbps
Codec: FLAC
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Источник (релизер): qobuz
Об альбоме (сборнике)
Since human beings could look up at the sky, they have been enraptured by the vastness of space. As a species, our desire for exploration and understanding is as old as our ability to walk, and the stellar expanse, that unknowable eternity, has long prompted questions of its breadth and substance. To Sleep on Stellar Winds, the new album from Craig Padilla and Zero Ohms, carries on this ancient investigation. As Zero Ohms’s wind instruments weave through Padilla’s modular synth landscapes in stunning harmony, an image of the uncharted cosmos takes shape.
Twelve years since their last collaboration, When the Earth is Far Away, and five years in the making, the compositional process for To Sleep on Stellar Winds was atypical for both artists. Zero Ohms and Padilla composed the first 3 tracks using a mix of Zero Ohms’s wind instruments and Padilla’s George Mattson customized modular synthesizer, alongside many other digital and analog synthesizers. They intentionally constrained their writing approach further by completing the project using only the wind instruments and modular synthesizers.
Though they pared down their sonic palette on these pieces, the result is far from spare. The colossal title track is Berlin-school brilliance, with spritely sequences woven around each other like shifting nebulae. Halfway through, the modular bassline fades into a flute chorus before the two harmonize; brief, bright flute phrases dart around glimmering modular sequences, starlight painted in resonant vibration. The opening track “Past All We Knew” shimmers like aurorae as an odd-time rhythm builds behind wind instruments, before being overtaken by a rising drone—the explorer breaching the edge of knowledge at last.
It is in this universe where Padilla and Zero Ohms paint planets and stars in sound. Throughout this exploration, To Sleep on Stellar Winds keeps the listener in peace and tranquility, as if each new frontier is exactly where they belong.