La Mansarde Hermétique - THE ATTIC DIARIES - Episode 9
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2024
Жанр: Electronic, Berlin-School, Ambient
Издатель (лейбл): Not On Label (La Mansarde Hermétique Self-released)
Продолжительность: 01:12:01
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Hors du Veuve (Veuve) ...... 19:52
02. Orage Rhénan ...... 52:08
Remastered by Michael Brückner
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: FLAC
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.5.5 / Dynamic Range Meter 1.1.1
log date: 2024-09-27 18:12:28
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Analyzed: La Mansarde Hermétique / THE ATTIC DIARIES - Episode 9
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DR Peak RMS Duration Track
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DR14 0.00 dB -16.56 dB 19:53 01-Hors du Veuve (Veuve)
DR10 -1.02 dB -15.20 dB 52:08 02-Orage Rhénan
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Number of tracks: 2
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1445 kbps
Codec: FLAC
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Источник: Bandcamp
Состав
Mathias Brüssel: electronics, synthesizer, keyboards
Michael Brückner: synthesizer, keyboards, electronics
Об исполнителе (группе)
„La Mansarde Hermétique“ is an improvisational ambient / electronica project from Mainz, Germany.
Their first sessions took place in a mansard, a small room located in an attic. The name also is an homage to the graphic artist, cartoonist, and writer Moebius, who among many other things created the science fiction comic series "Le Garage Hermétique" („The Airtight Garage“).
Michael Brückner and Mathias Brüssel are the core members of „La Mansarde Hermétique“ but sometimes other artists have been featured in later events.
"The Attic Diaries“ is a series of albums aiming to publish those live, improvised sessions in non-chronological order.
Об альбоме
This sessions from late April 2014 holds a special place in Mathias' and Michael's memories, for three reasons:
- It took place in an unusual location - on a camping site on the banks of the river Rhine, in the front tent of Mathias' camper van.
- During the sessions occured a rather dramatic thunderstorm with heavy rains.
- The musicians felt particularily inspired and it seemed to them that the sessions turned out unusually nice.
With hindsight, the third point seems a little questionable though. Not that the recordings from that day turned out worse than many others, however they are not necessarily much better, either, in regards to their musical content and performance.
At least the recording of the longer part turned out to be a little muddy and imbalanced though (partly due to the loud noise of the rain falling on the tent that would drown out the music), and it would have been desirable to have a multi-track recording that could be properly remixed and remastered.
However, there's only a stereo recording, and even though state-of-the-art mastering software was used to make it sound as good as possible, the result is not as crisp and transparent as it could have been.
That being said, it's a wall of sound that still has the potential to take you on quite a trip when enjoyed in the right mood
/1 
发表于 2025-11-30 16:04:21
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