Caterina Barbieri / Myuthafoo
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2023
Жанр: electronic, ambient, post-minimalism
Издатель (лейбл): light-years
Продолжительность: 00:32:14
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): qobuz
Треклист:
01 Memory Leak (01:19)
02 Math of You (05:40)
03 Myuthafoo (07:01)
04 Alphabet of Light (06:51)
05 Sufyosowirl (05:54)
06 Swirls of You (05:35)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Доп. информация: https://caterinabarbieri.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2023-12-05 21:31:07
--------------------------------------------------------------------------------
Analyzed: Caterina Barbieri / Myuthafoo
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DR Peak RMS Duration Track
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DR10 -0.26 dB -12.37 dB 1:18 01-Memory Leak
DR10 -0.34 dB -12.20 dB 5:40 02-Math of You
DR10 -0.59 dB -12.69 dB 7:00 03-Myuthafoo
DR9 -0.32 dB -11.63 dB 6:51 04-Alphabet of Light
DR10 -0.25 dB -11.54 dB 5:53 05-Sufyosowirl
DR10 -0.28 dB -12.12 dB 5:35 06-Swirls of You
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1485 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
Катерина БарбьериКатерина Барбьери - берлинский композитор итальянского происхождения, чьё творчество преимущественно сфокусировано на темах искусственного интеллекта и объектно-ориентированного восприятия звука. Сама Катерина называет свою музыку минимализмом - хотя, конечно, это не тот привычный околоакадемический минимализм, о котором мы обычно думаем, когда слышим это слово. Впрочем, основные принципы у этой версии минимализма те же самые. В своём творчестве Катерина исследует психофизические эффекты повторений различных структур и паттернов в музыке, раскрывая полифонический и полиритмический потенциал секвенсоров и модульных синтезаторов (в первую очередь, знаменитого Buchla 200). Сама Катерина описывает свою музыку как попытку использовать музыкальные паттерны, чтобы изменить состояние сознания слушателя. Протяжные растянутые саундскейпы с гипнотическими синтезаторными арпеджио и сложными мелодическими алгоритмами захватывающе погружают в себя и действительно могут привести к необычным состояниям сознания. https://www.last.fm/ru/music/caterina+barbieri
Об исполнительнице (англ.) | About Artist (en)
Caterina BarbieriCaterina Barbieri (born September 16, 1990) is an Italian composer and musician currently based in Milan, Italy.
Prior to and concurrently with her early music career, Caterina studied electroacoustic composition as well as classical guitar at the Conservatorio Giovanni Battista Martini in Bologna, in which she earned a bachelor's and master's degree, respectively. She has also earned a bachelor's degree from the University of Bologna with a thesis in ethnomusicology about Hindustani classical music and minimalism.
Caterina's work explores consciousness and the psychoacoustic effects of repetition. Most of her compositions make use of modular synthesis, and she was first inspired by the Buchla 200, though she has stated she is less interested in the hardware and prefers to focus on the music itself. She is often cited as a minimalist composer and takes a no-frills approach towards composition. In 2020 she composed the soundtrack for John and the Hole, which was selected for that year's Cannes film festival.
In July 2021 she announced the launch of her independent label, light-years. In April 2022 she released the single "Broken Melody" and announced her fifth album Spirit Exit, which was released on July 8, 2022. Recorded during the first two months of the 2020 COVID-19 lockdown in Milan, the album is also the first in her solo work to feature strings, guitar, and vocals in addition to synthesizer. Critics noted that Spirit Exit was also more taut and condensed in sound compared to previous albums, owing to its development occurring in her home studio. https://en.wikipedia.org/wiki/Caterina_Barbieri
Об альбоме (англ.) | About Album (en)
Info for 'Myuthafoo'Caterina Barbieri is set to release a sister album of her 2019's acclaimed “Ectatic Computation”. “Myuthafoo“ will be out on June 2.
Italian composer Caterina Barbieri has spent the best part of a decade breaking apart the rigid structures of electronic music, using advanced, idiosyncratic techniques to build bridges between academic experimental, dance and pop landscapes. Her breakthrough moment came in 2017 with the Important Records-released "Patterns of Consciousness", a confident fusion of analogue synthesis and algorithmic compositional methodology that defined her unique voice. And when she followed it with "Ecstatic Computation" on the legendary Editions Mego label in 2019, wide acclaim ensued, with critics praising its potent fusion of minimalism and trance-inducing synth experimentation. Pitchfork has described her music as "a mind-altering journey" and "a dreamachine for the ears".
Since then Barbieri has worked hard to subvert expectations at every turn, offering an eccentric spin on the remix album with "Fantas Variations" - a selection of collaborations and reworks from friends and inspirations like Kali Malone, Jay Mitta, Evelyn Saylor and Kara-Lis Coverdale - and developing a modish articulation on last year's poetic and densely layered "Spirit Exit". Described by NPR as “deeply psychedelic and, by extension, subversive," the album was more than just a selection of tracks; it launched her own light-years label and arrived alongside an ambitious live experience that developed her philosophy in multiple dimensions, bringing in additional voices like Bendik Giske, Nkisi and Lyra Pramuk and bespoke visuals from Marcel Weber and Ruben Spini.
"Myuthafoo" was written at the same time as "Ecstatic Computation", which Barbieri regards as a sister album. Both albums are based on creative sequencing processes that playfully unravel Barbieri's deep-rooted interest in time, space, memory and emotion. And since she was set to re-release "Ecstatic Computation" on her own light-years imprint, it made sense to accompany that album with this intimately entangled set of unreleased recordings. At the time, Barbieri had been touring excessively and her process began to shift in response to that nomadic, interactive energy. Using the Orthogonal ER-101 modular sequencer, Barbieri manually programed patterns into the device and fed them into her arsenal of noise generators, trialling different combinations at each show.
If an idea worked well in the live environment, she would put it to one side, letting longer pieces breathe and transform as they sprung to life and developed organically. It's a process she relates to her interest in cosmogony, the study of the origins of the universe; her music is rooted in the limitations of a small number of options that branch out into a much larger structure, eventually reaching towards an open-ended cosmos of possibility. From 'Math of You', it's clear that the sounds are grounded in a similar sonic philosophy; blipping synth sequences nudge alongside each other harmonically, disrupting trance's addicting euphoria with filigree polyrhythmic pulses. Like 'Fantas' before it, the track is focused around emotionally affecting repeating phrases, but a closer examination reveals hidden intricacies as these phrases flicker like illusions, dissolving and dissipating as they snake and weave.
The album's title track is its most generous and most tender, blunting Barbieri's usually razor-sharp sequences into rubbery möbius strips that twist romantically, bending back on each other. It gazes at the stars from an atemporal vantage point, relying on synapse-popping psychedelic logic as well as established physics. 'Sufyosowirl' meanwhile is rigorous and rhythmic, as melodically charged as pop music and as soaring as Jean-Michel Jarre's lavish stadium electronics. Closing track 'Swirls of You' encases Barbieri's celestial sequences in gaseous vapors, allowing the music to ascend slowly and purposefully until it flickers and fades to nothing. Barbieri's music sounds as if it has a life of its own, endlessly expanding and transmuting until it's able to develop its own rules and gestures. "Myuthafoo" teases an ecosystem where technology and biology are intertwined, and where the past, present and future are part of the same essential narrative.
released June 16, 2023 https://caterinabarbieri.bandcamp.com/album/myuthafoo
Состав | Artists
Caterina Barbieri - synths, electronics
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发表于 2025-11-30 16:03:50
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