[TR24][OF] Masma Dream World - Please Come To Me - 2025 (Electronic)

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Masma Dream World


Please Come To Me



• Формат | Источник записи: [TR24][OF] • Водяных знаков: Нет
• Год издания релиза: 2025 • Жанр: Electronic
• Продолжительность:
00:42:08
• Источник:
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front
• Разрядность: 24/44,1 • Количество каналов: 2.0 • Формат: PCM
• Треклист •


✧ 01 - Only Wish (00:05:44)
✧ 02 - Hell Bells (00:03:09)
✧ 03 - Pordeno Me (00:02:29)
✧ 04 - Seeking Your Protection (00:03:22)
✧ 05 - Please Come To Me (00:06:53)
✧ 06 - O, Dark Mother (00:05:31)
✧ 07 - Ancient Dna (00:02:43)
✧ 08 - The Island Where The Goddess Lives (00:05:11)
✧ 09 - What If It Was True (00:02:41)
✧ 10 - The Last Poet (00:02:16)
✧ 11 - Without A Body (00:02:04)



• Лог DRM •

foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2025-02-21 09:26:13
--------------------------------------------------------------------------------
Analyzed: Masma Dream World / PLEASE COME TO ME
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR7        0.00 dB    -7.98 dB      5:44 01-Only Wish
DR6        0.00 dB   -10.96 dB      3:09 02-Hell Bells
DR9        0.00 dB   -12.57 dB      2:29 03-Pordeno Me
DR9       -0.44 dB   -11.13 dB      3:23 04-Seeking Your Protection
DR7        0.00 dB    -9.74 dB      6:53 05-PLEASE COME TO ME
DR7        0.00 dB    -9.22 dB      5:32 06-O, Dark Mother
DR4       -0.14 dB    -5.41 dB      2:43 07-Ancient DNA
DR5        0.00 dB    -8.62 dB      5:12 08-The Island Where The Goddess Lives
DR5        0.00 dB    -8.78 dB      2:42 09-What If It Was True
DR5       -0.03 dB    -6.59 dB      2:16 10-The Last Poet
DR6        0.00 dB    -6.69 dB      2:05 11-Without A Body
--------------------------------------------------------------------------------
Number of tracks:  11
Official DR value: DR6
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1586 kbps
Codec:             FLAC
================================================================================

• Masma Dream World •
Devi Mambouka, who performs as Masma Dream World, grew up in Gabon, a country on the west coast of Central Africa. Release notes describe a youth spent singing to trees, seeing ghosts, and enduring dreams of demons who turned to flames when she spoke. That stuff lingered, transforming into the holy and unholy sonic gusts that blow through Please Come to Me, her electrifying second full-length. Cue up "Only Wish," the breathtaking opening track, and you'll understand: this is as much invocation as album.
Born to a father from Gabon's indigenous Bahoumbou tribe and a Singaporean mother of Bengali and Cantonese descent, Mambouka carried those histories with her when, at 12, her family abruptly moved to the Bronx. Uprooted and an outsider, she remained fascinated by rituals, practices, and systems, consuming volumes of otherworldly music. She discovered new gods—Kali and the Black Madonna among them. Her Catholic upbringing faded. Magic and music remained.
Please Come to Me deepens an exploration that began with Play at Night, her 2020 debut. Eleven shapeshifting, heaving songs, her follow-up holds a cistern-like depth, echoing with hard, intermittently abrasive rushes of noise. Static and hiss swirl. Tape warbles. Her voice conjures, whispers, and pleads. Clangs and clacks resonate. Random bumps and thumps suggest hidden spaces. Every measure hovers like fog. Written without quotes, the song titles read like whispered summons, each one a portal: O, Dark Mother; PLEASE COME TO ME; Ancient DNA; The Island Where the Goddess Lives; Hell's Bells.
To make Please Come to Me, Mambouka gathered sounds as if curating a collection for the Nonesuch Explorer Series. In Rocamadour, a medieval pilgrimage site in southwestern France, she sang before La Vierge Noire. In the small northern Italian city of Pordenone, she recorded the church bells that infiltrate "Pordeno Me," a chaotic spell of a song. Crucially, in New York she found her late aunt's old tapes, voices fraying at the edges but still communicating. Bali's temples, Singapore's streets, France's caves, Wisconsin's frozen silence—Mambouka wove in field recordings and found sound wherever they fit.
The result is a singular work of art, less a curated travelogue than a candlelit procession through a forgotten forest, where voices echo, bells shudder, and the air itself seems to hum with something ancient and unseen. © Randall Roberts/Qobuz

                                                                                       
                       
                       
                       
                       
                       
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