<span style="font-size: 24px; line-height: normal;">Otis Taylor / Hey Joe Opus Red Meat</span><span class="post-br"><br></span><var class="postImg postImgAligned img-right" title="https://i111.fastpic.ru/big/2020/0425/50/fb5b1eb86e15fb8312792e833efbf550.jpg"> </var><span class="post-b">Формат записи/Источник записи</span>: [TR24][OF]<br>
<span class="post-b">Год издания/переиздания диска</span>: 2015<br>
<span class="post-b">Жанр</span>: Blues, Folk, Rock<br>
<span class="post-b">Издатель (лейбл)</span>: in-akustik HD<br>
<span class="post-b">Продолжительность</span>: 00:48:08<br>
<span class="post-b">Наличие сканов в содержимом раздачи</span>: Буклет PDF<span class="post-br"><br></span><span class="post-b">Треклист</span>:<br>
01 - Hey Joe (A) 07:38<br>
02 - Sunday Morning (A) 06:44<br>
03 - Heart Is a Muscle Used to Play the Blues 04:08<br>
04 - Red Meat 04:17<br>
05 - Peggy Lee 04:18<br>
06 - They Wore Blue 03:33<br>
07 - Hey Joe (B) 07:38<br>
08 - Sunday Morning (B) 01:50<br>
09 - Cold at Midnight 04:28<br>
10 - Sunday Morning (C) 03:34<span class="post-br"><br></span><span class="post-b">Контейнер</span>: FLAC (*.flac)<br>
<span class="post-b">Тип рипа</span>: tracks<span class="post-br"><br></span><span class="post-b">Разрядность</span>: 24/96<br>
<span class="post-b">Количество каналов</span>: 2.0
<span>Лог проверки качества</span>
<pre class="post-pre"><br>foobar2000 1.3.7 / Dynamic Range Meter 1.1.1<br>log date: 2019-02-06 12:02:26<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: Otis Taylor / Hey Joe Opus Red Meat<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR Peak RMS Duration Track<br>--------------------------------------------------------------------------------<br>DR12 -0.37 dB -14.53 dB 7:38 01-Hey Joe<br>DR12 -0.24 dB -15.76 dB 6:45 02-Sunday Morning<br>DR13 -0.26 dB -15.00 dB 4:08 03-Heart Is a Muscle Used to Play the Blues<br>DR13 -0.13 dB -14.29 dB 4:18 04-Red Meat<br>DR13 -0.10 dB -15.05 dB 4:18 05-Peggy Lee<br>DR10 -0.14 dB -11.91 dB 3:33 06-They Wore Blue<br>DR11 -0.47 dB -14.38 dB 7:38 07-Hey Joe<br>DR13 -7.07 dB -24.36 dB 1:50 08-Sunday Morning<br>DR14 -0.37 dB -16.06 dB 4:28 09-Cold at Midnight<br>DR12 -0.37 dB -14.94 dB 3:35 10-Sunday Morning<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks: 10<br>Official DR value: DR12<span class="post-br"><br></span>Samplerate: 96000 Hz<br>Channels: 2<br>Bits per sample: 24<br>Bitrate: 2815 kbps<br>Codec: FLAC<br>================================================================================<br></pre>
<span>Состав</span>
Otis Taylor - vocals, guitar<br>
Anne Harris - violin<br>
Todd Edmunds - bass<br>
Larry Thompson - drums<br>
Ron Miles - cornet<br>
Taylor Scott, Daniel Sproul, Warren Haynes - guitar<br>
Bill Nershi - acoustic guitar<br>
David Moore - banjo, piano<br>
Langhorne Slim - vocals, acoustic guitar<br>
Steve Vidaic - organ<br>
Gus Skinas - Moog synthesizer
<span>Об альбоме (сборнике)</span>
<a href="https://www.discogs.com/Otis-Taylor-Hey-Joe-Opus-Red-Meat/release/7797235" class="postLink">https://www.discogs.com/Otis-Taylor-Hey-Joe-Opus-Red-Meat/release/7797235</a><br>
Otis Taylor’s fourteenth album presents a meticulously crafted collection of songs and instrumentals and is only akin to his preceding recordings in that the music again resists easy categorization. Blues and Folk elements are a key part of this, but Taylor’s cutting edge approach also draws on Psychedelic Rock, Jazz and Americana to create a hybrid that he calls Trance Blues.<br>
Central to Hey Joe Opus Red Meat are Taylor’s musings on decision making and how these decisions can change all of our lives – and those of our families. Designed to be listened to as a single piece of music in ten parts, the new album has the song Hey Joe as its overriding theme which is performed in two different versions here, both with contrasting instrumentation.<br>
Further songs and song forms are moving into instrumental sections. Often incorporating spacey textures and interlocking guitars, further spice is added to these pieces via judicious use of violin and cornet.