<span style="font-size: 24px; line-height: normal;">The Alan Parsons Project / I Robot</span><span class="post-br"><br></span><var class="postImg postImgAligned img-right" title="http://i82.fastpic.ru/big/2016/1115/94/dc429a288446edc0fd288a2422554a94.jpg"> </var><span class="post-b">Формат записи/Источник записи</span>: [SACD-R][OF]<br>
<span class="post-b">Наличие водяных знаков</span>: Нет<br>
<span class="post-b">Издание</span>: Limited Edition, Numbered<br>
<span class="post-b">Год издания/переиздания диска</span>: 1977/2016<br>
<span class="post-b">Жанр</span>: Progressive Rock<br>
<span class="post-b">Издатель(лейбл)</span>: Arista Records / Mobile Fidelity Sound Lab (UDSACD 2174)<br>
<span class="post-b">Продолжительность</span>: 41:16<br>
<span class="post-b">Наличие сканов в содержимом раздачи</span>: Да (сканы)<span class="post-br"><br></span><span class="post-b">Треклист</span>:<span class="post-br"><br></span>01. I Robot<br>
02. I Wouldn't Want To Be Like You<br>
03. Some Other Time<br>
04. Breakdown<br>
05. Don't Let It Show<br>
06. The Voice<br>
07. Nucleus<br>
08. Day After Day (The Show Must Go On)<br>
09. Total Eclipse<br>
10. Genesis Ch.1, V.32<span class="post-br"><br></span><span class="post-b">Контейнер</span>: ISO (*.iso)<br>
<span class="post-b">Тип рипа</span>: image<span class="post-br"><br></span><span class="post-b">Разрядность</span>: 64(2,8 MHz/1 Bit)<br>
<span class="post-b">Формат</span>: DSD<br>
<span class="post-b">Количество каналов</span>: 2.0
<span>Лог проверки качества: DR10</span>
<pre class="post-pre"><br>foobar2000 1.3.10 / Dynamic Range Meter 1.1.1<br>log date: 2016-11-15 10:18:29<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: THE ALAN PARSONS PROJECT / I Robot<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR Peak RMS Duration Track<br>--------------------------------------------------------------------------------<br>DR10 -5.69 dB -18.83 dB 6:04 01-I Robot<br>DR11 -4.96 dB -18.63 dB 3:23 02-I Wouldn't Want To Be Like You<br>DR9 -5.17 dB -18.24 dB 4:06 03-Some Other Time<br>DR10 -5.10 dB -17.41 dB 3:53 04-Breakdown<br>DR10 -5.05 dB -18.65 dB 4:23 05-Don't Let It Show<br>DR11 -4.35 dB -19.30 dB 5:23 06-The Voice<br>DR11 -7.54 dB -23.76 dB 3:22 07-Nucleus<br>DR10 -5.21 dB -18.44 dB 3:57 08-Day After Day (The Show Must Go On)<br>DR10 -6.71 dB -23.28 dB 3:12 09-Total Eclipse<br>DR9 -5.82 dB -18.56 dB 3:33 10-Genesis Ch.1. V.32<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks: 10<br>Official DR value: DR10<span class="post-br"><br></span>Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz<br>Channels: 2<br>Bits per sample: 1<br>Bitrate: 5645 kbps<br>Codec: DSD64<br>================================================================================<span class="post-br"><br></span></pre>
<span>Состав</span>
CREDITS<span class="post-br"><br></span>1. I ROBOT (Instrumental) 6:02<br>
Soprano Vocal – Hilary Western<br>
Clavinet – Eric Woolfson<br>
Projectron & Synthi-A Sequencer Programming – Alan Parsons<br>
Yamaha CS10 Synth – Duncan Mackay<br>
Cimbalom and Kantele – John Leach<br>
Guitar – Ian Bairnson, Bass – David Paton, Drums – Stuart Tosh<br>
The English Chorale – Choirmaster – Bob Howes<br>
Choir Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>2. I WOULDN’T WANT TO BE LIKE YOU 3:22<br>
Vocal – Lenny Zakatek<br>
Rhodes and Wurlitzer – Eric Woolfson<br>
Guitars – Ian Bairnson<br>
Bass – David Paton, Drums – Stuart Tosh<span class="post-br"><br></span>3. SOME OTHER TIME 4:06<br>
Vocals – Peter Straker, Jaki Whitren<br>
Piano and Clavinet – Eric Woolfson<br>
Cimbalom and Kantele – John Leach<br>
Projectron – Alan Parsons<br>
Acoustic Guitars – Ian Bairnson, David Paton<br>
Electric Guitars – Ian Bairnson<br>
Bass – David Paton, Drums – Stuart Tosh<br>
Backing Vocals – Tony Rivers, John Perry, Stuart Calver<br>
Orchestra Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>4. BREAKDOWN 3:52<br>
Vocal – Allan Clarke<br>
Wurlitzer – Eric Woolfson<br>
Synths – Duncan Mackay<br>
Projectron – Alan Parsons<br>
Electric Guitars – Ian Bairnson<br>
Acoustic Guitars – Ian Bairnson, Alan Parsons<br>
Bass – David Paton, Drums – Stuart Tosh<br>
The New Philharmonia Chorus, Choirmaster – Bob Howes<br>
Orchestra & Choir Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>5. DON’T LET IT SHOW 4:24<br>
Vocal – Dave Townsend<br>
Organ and Piano- Eric Woolfson<br>
Piccolo Trumpet – John Wallace<br>
Guitar – Ian Bairnson, Bass – David Paton<br>
Drums and Percussion – Stuart Tosh<br>
Orchestra Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>6. THE VOICE 5:23<br>
Vocal – Steve Harley<br>
Projectron and Vocoder ‘Voice’ – Alan Parsons<br>
Wurlitzer – Eric Woolfson<br>
Guitar – Ian Bairnson<br>
Bass – David Paton<br>
Drums and Percussion – Stuart Tosh<br>
Orchestra Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>7. NUCLEUS (Instrumental) 3:22<br>
Tape Loops, Projectron and Effects – Alan Parsons<br>
Keyboards – Eric Woolfson, Duncan Mackay<br>
Cimbalom and Kantele – John Leach<br>
Guitar – Ian Bairnson<br>
Bass – David Paton, Drums and Water Gongs – Stuart Tosh<br>
The English Chorale, Choirmaster – Bob Howes<span class="post-br"><br></span>8. DAY AFTER DAY (The Show Must Go On) 3:57<br>
Vocal – Jack Harris<br>
Synthi-A Sequencer Programming – Alan Parsons<br>
Jangle Piano – Eric Woolfson<br>
Hammond Organ – Andrew Powell<br>
Pedal Steel Guitar – B.J. Cole<br>
Guitar – Ian Bairnson<br>
Bass – David Paton, Drums – Stuart Tosh<br>
Backing Vocals – Jack Harris, David Paton,<br>
Eric Woolfson, Alan Parsons, Ian Bairnson<span class="post-br"><br></span>9. TOTAL ECLIPSE 3:12<br>
The English Chorale, Choirmaster – Bob Howes<br>
Orchestra and Choir Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>10. GENESIS CH.1 V.32 (Instrumental) 3:29<br>
Keyboards – Eric Woolfson, Duncan Mackay<br>
Backing Vocals – Tony Rivers, John Perry, Stuart Calver<br>
Electric Guitars – Ian Bairnson, Acoustic Guitars – Ian Bairnson, David Paton<br>
Bass – David Paton, Drums – Stuart Tosh<br>
The New Philharmonia Chorus, Choirmaster – Bob Howes<br>
Orchestra and Choir Arranged and Conducted by Andrew Powell<span class="post-br"><br></span>Produced by Alan Parsons<br>
Executive Producer – Eric Woolfson<br>
Engineered by Alan Parsons<br>
Assistant Engineers – Pat Stapley, Chris Blair<br>
Recorded and mixed at Abbey Road Studios,<br>
London between December 1976 and March 1977<span class="post-br"><br></span>Steve Harley and Duncan Mackay appear courtesy of EMI Records Ltd<br>
Allan Clarke appears courtesy of Chigreen Ltd<br>
Peter Straker appears courtesy of Goose Productions Ltd<br>
Thanks to David Katz, Smokey Parsons, Hazel Woolfson,<br>
Mickey Shapiro, Bob Britton, Mike King, Eric Prince,<br>
Humphrey Ocean and all at Abbey Road.<span class="post-br"><br></span>Sleeve Concept – Eric Woolfson, Sleeve Design by Hipgnosis<br>
Graphics by George Hardie<span class="post-br"><br></span>All tracks written by Eric Woolfson & Alan Parsons<br>
Except ‘Total Eclipse’ written by Andrew Powell<br>
Published by Woolfsongs Ltd/ Careers Music.Inc. (BMI)<br>
Administered by Universal Music<br>
(p) 1977 RCA Records, a division of Sony Music Entertainment
<span>Об исполнителе (группе)</span>
<span class="post-b">The Alan Parsons Project</span> were a British progressive rock band, active between 1975 and 1990,[1] consisting of Alan Parsons and Eric Woolfson surrounded by a varying number of session musicians and some relatively consistent band members such as guitarist Ian Bairnson, bassist and vocalist David Paton, drummer Stuart Elliott, and vocalist Lenny Zakatek.<br>
Behind the revolving line-up and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson. Parsons was an audio engineer by profession, but also a musician and a composer. A songwriter by profession, Woolfson was also a composer, a pianist, and a singer. Almost all songs on the band's albums are credited to "Parsons/Woolfson".
<span>Об альбоме (сборнике)</span>
<span class="post-b">I Robot</span> is the second studio album by the British progressive rock band The Alan Parsons Project, released on 1 June 1977 by Arista Records. The album draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.<span class="post-br"><br></span>the-alan-parsons-project.com<span class="post-br"><br></span>MEMORIES<span class="post-br"><br></span>Eric’s initial idea had been to do Tales of Mystery Volume II (further inspired by the work of Edgar Allan Poe), but by this stage they had changed record labels and the new record label was unwilling to have Volume II where they did not have Volume I. Another writer who had greatly inspired Eric was Isaac Asimov whose ‘I, Robot’ was one of many science fiction masterpieces Eric devoured at that stage. The original idea was to base the work on Asimov’s stories, but unfortunately Asimov had granted rights to a TV/ Film Company from 10 years before which prevented him from granting permission. Eric recalls a very pleasant conversation with Isaac Asimov who was extremely friendly and enthusiastic about the idea, but there was nothing he could do. Eric wrote the album using a similar title (on which there was no copyright) but dropping the comma and with the lyrics completely unrelated to Asimov’s writing, although there was a loose robotic connection.<span class="post-br"><br></span>The album I Robot to some extent looks at the questions and the extent to which as human being we may or may not be pre-programmed and act in a robotic fashion as well as the dangers of uncontrolled development of artificial intelligence.<span class="post-br"><br></span>The song ‘Some Other Time’ came about because when Alan asked Paul McCartney to read a line of poetry for the Tales of Mystery album in return for a favor Alan had done him, Paul’s response had been ‘Some other time Alan, some other time’ and this gave Eric an idea for the song.<span class="post-br"><br></span>‘I Wouldn’t Want to Be Like You’ was really the breakthrough airplay recording which got a tremendous amount of exposure, especially on American radio.<span class="post-br"><br></span>The I Robot album came out at a very fortuitous time, unknown to anyone, as completely unplanned, the album (with a robot on its cover) hit record stores in the US the same week as Star Wars was released and suddenly robots were all the rage and the Project was the only album being featured with a robotic cover.
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发表于 2025-11-30 15:40:10
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