<span class="post-align" style="text-align: center;"><span class="post-b"><span style="font-size: 28px; line-height: normal;">Boz Scaggs<br>
<span class="p-color" style="color: #AC8827;">Out</span> Of<br>
The <span class="p-color" style="color: #AC8827;">Blues</span></span></span><br>
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<span class="post-b">• Формат записи | Источник записи:</span> [TR24][OF]<br>
<span class="post-b">• Наличие водяных знаков:</span> Нет<br>
<span class="post-b">• Страна исполнителя:</span> USA<br>
<span class="post-b">• Год издания релиза:</span> 2018<br>
<span class="post-b">• Жанр:</span> Blues | Soul<br>
<span class="post-b">• Издатель (лейбл):</span> <span class="p-color" style="color: gray;">Concord Records</span>®<br>
<span class="post-b">• Продолжительность:</span> 00:39:34<br>
<span class="post-b">• Источник:</span> internet<br>
<span class="post-b">• WEB релиз:</span> <a href="https://www.qobuz.com/gb-en/album/out-of-the-blues-boz-scaggs/ts3mwxb1231nc" class="postLink"><span class="p-color" style="color: olive;">qobuz</span></a><br>
<span class="post-b">• Контейнер:</span> FLAC (*.flac)<br>
<span class="post-b">• Тип рипа:</span> tracks<br>
<span class="post-b">• Разрядность:</span> 24/96<br>
<span class="post-b">• Формат:</span> WAV (flac.ape.wv)<br>
<span class="post-b">• Количество каналов:</span> 2.0<br>
<span class="post-b">• Наличие сканов:</span> booklet<span class="post-br"><br></span><var class="postImg" title="http://i105.fastpic.ru/big/2018/0609/75/7f07df84fdfb0e9f0cee6c45d4766c75.png"> </var><span class="post-br"><br></span>◈ <span class="p-color" style="color: DarkSlateGrey;">01 - Rock And Stick</span> <span class="p-color" style="color: OliveDrab;">(00:04:50)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">02 - I’ve Just Got To Forget You</span> <span class="p-color" style="color: OliveDrab;">(00:02:57)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">03 - I’ve Just Got To Know</span> <span class="p-color" style="color: OliveDrab;">(00:04:10)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">04 - Radiator 110</span> <span class="p-color" style="color: OliveDrab;">(00:04:08)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">05 - Little Miss Night And Day</span> <span class="p-color" style="color: OliveDrab;">(00:05:20)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">06 - On The Beach</span> <span class="p-color" style="color: OliveDrab;">(00:06:33)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">07 - Down In Virginia</span> <span class="p-color" style="color: OliveDrab;">(00:03:24)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">08 - Those Lies</span> <span class="p-color" style="color: OliveDrab;">(00:04:31)</span><br>
◈ <span class="p-color" style="color: DarkSlateGrey;">09 - The Feeling Is Gone</span> <span class="p-color" style="color: OliveDrab;">(00:03:35)</span><br>
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<span>• Замер динамического диапазона •</span>
<pre class="post-pre"><br>foobar2000 1.3.7 / Dynamic Range Meter 1.1.1<br>log date: 2018-07-26 15:34:15<span class="post-br"><br></span>--------------------------------------------------------------------------------<br>Analyzed: Boz Scaggs / Out Of The Blues<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>DR Peak RMS Duration Track<br>--------------------------------------------------------------------------------<br>DR6 -0.11 dB -7.46 dB 4:51 01-Rock And Stick<br>DR8 -0.11 dB -10.28 dB 2:58 02-I’ve Just Got To Forget You<br>DR7 -0.11 dB -8.99 dB 4:11 03-I’ve Just Got To Know<br>DR6 -0.11 dB -7.57 dB 4:09 04-Radiator 110<br>DR6 -0.11 dB -7.23 dB 5:20 05-Little Miss Night And Day<br>DR9 -0.11 dB -11.32 dB 6:33 06-On The Beach<br>DR7 -0.11 dB -8.06 dB 3:24 07-Down In Virginia<br>DR6 -0.11 dB -7.33 dB 4:32 08-Those Lies<br>DR7 -0.11 dB -8.77 dB 3:36 09-The Feeling Is Gone<br>--------------------------------------------------------------------------------<span class="post-br"><br></span>Number of tracks: 9<br>Official DR value: DR7<span class="post-br"><br></span>Samplerate: 96000 Hz<br>Channels: 2<br>Bits per sample: 24<br>Bitrate: 2797 kbps<br>Codec: FLAC<br>================================================================================</pre>
<span>• INFO •</span>
<span class="post-align" style="text-align: center;"><span class="p-color" style="color: darkblue;"><span style="font-size: 16px; line-height: normal;">It would be unfortunate if Boz Scaggs’ legacy was only of a slick, sharply dressed, blue-eyed ’70s soul crooner famous for hitting the disco-era charts with the hook-heavy, funk-lite of “Lowdown,” the sweet, syrupy ballad “We’re All Alone,” and the yacht-rocking “Lido Shuffle.” That’s because he’s far more eclectic and interesting than the majority of the commercially oriented music he recorded in his late ’70s heyday.<span class="post-br"><br></span>Those who have followed Scaggs since his early years riding shotgun as singer-songwriter in Steve Miller’s early band, know that blues is just as close to his heart, arguably closer, as stylish soul. After all, his first solo release from 1968 featured his version of “Loan Me a Dime,” a song that became a contemporary blues classic in large part due to his recording which featured Duane Allman’s soaring lead guitar. So it came as little surprise when, in 2013, Scaggs made a comeback of sorts with Memphis, a smooth, honest set of mostly dusky-tinged Southern soul covers such as “Rainy Night in Georgia,” “Love on a Two Way Street,” and the standard “Corrina, Corrina.” Scaggs edged closer to blues on 2015’s follow-up which featured both Bonnie Raitt and Lucinda Williams. The latter duets with Scaggs on an emotive cover of The Band’s “Whispering Pines,” one of the stirring ballad’s finest interpretations.<span class="post-br"><br></span>Which brings us to this, as the title implies, the bluesiest of the three. It’s also likely the final chapter in his back-to-the-roots trilogy. Scaggs shifts into Bobby “Blue” Bland mode on these nine tracks (he also covers two tunes associated with Bland), featuring a sterling backup group of musicians such as veteran drummer Jim Keltner, bassist Willie Weeks, and Charlie Sexton on guitar. From the easy lope of Jimmy Reed’s “Down in Virginia,” the late-night, closing-time slow-saloon blues “The Feeling is Gone,” and the peppy Chuck Berry-styled romp of “Little Miss Night and Day” (Scaggs’ lone writing credit), the singer uses his relaxed, rolling voice to create a vibrant, predominantly low key groove. Longtime friend Jack Walroth contributes four new tunes that sound like old Memphis covers, particularly the opening “Rock and Stick” that has Al Green’s effortless feel all over it as Scaggs sings the alliterative “you can shake, you can shim, sham, shimmy” with a low-key twinkle.<span class="post-br"><br></span>But the album’s physical and philosophical centerpiece is Scaggs’ sensitive version of Neil Young’s seldom covered “On the Beach.” It’s an unusual, unexpected choice, all the more impressive when Scaggs gets underneath the dark, introspective, often unsettling lyrics of a protagonist who feels like a loner in the world he has created. It’s a wonderfully emotional performance, a tour-de-force that both connects with, and stands apart from, the album’s more sedate lyrical and musical aspects. At about six and a half minutes, (nearly the same as Young’s version), it’s also the set’s longest, most reflective and mesmerizing track.<span class="post-br"><br></span>Occasional horns spice up the approach adding tasty seasoning to an album that shows Boz Scaggs at 74 is bookending a remarkable career by reviving a love of the refined soul/blues that began over 50 years ago.</span></span></span>
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发表于 2025-11-30 15:39:49
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