<span class="p-color" style="color: darkblue;"><span class="post-font-serif1"><span style="font-size: 24px; line-height: normal;"><span class="post-b">Jeff Beck</span> / Truth</span></span></span><hr class="post-hr"><var class="postImg postImgAligned img-right" title="http://i102.fastpic.ru/big/2018/0207/f5/a5af1886cc373534c0e7762693443bf5.jpg"> </var><span class="post-b">Формат записи/Источник записи</span>: [SACD-R][OF]<br>
<span class="post-b">Наличие водяных знаков</span>: Нет<br>
<span class="post-b">Издание</span>: Limited edition<br>
<span class="post-b">Год издания/переиздания диска</span>: 1968/2017<br>
<span class="post-b">Жанр</span>: Rock, Blues Rock, Hard Rock<br>
<span class="post-b">Издатель (лейбл)</span>: Columbia / Audio Fidelity<br>
<span class="post-b">Продолжительность</span>: 00:40:57<br>
<span class="post-b">Наличие сканов в содержимом раздачи</span>: Да (сканы)<hr class="post-hr"><span class="post-b">Треклист</span>:<br>
1. Shapes of Things 03:20<br>
2. Let Me Love You 04:44<br>
3. Morning Dew 04:43<br>
4. You Shook Me 02:32<br>
5. Ol’ Man River 04:00<br>
6. Greensleeves 01:50<br>
7. Rock My Plimsoul 04:15<br>
8. Beck’s Bolero 02:55<br>
9. Blues De Luxe 07:34<br>
10. I Ain’t Superstitious 04:53<hr class="post-hr"><span class="post-b">Контейнер</span>: ISO (*.iso)<br>
<span class="post-b">Тип рипа</span>: image<br>
<span class="post-b">Разрядность</span>: 64(2,8 MHz/1 Bit)<br>
<span class="post-b">Формат</span>: DSD<br>
<span class="post-b">Количество каналов</span>: 2.0<hr class="post-hr"><span class="post-b">Доп. информация</span>: Released August 1968<br>
Recorded 16 May 1966, 5 June 1967, 5 and 7 December 1967, 15–26 May 1968<br>
Studio Abbey Road Studios, London; Olympic Sound Studios, London; De Lane Lea Recording Studios, London<br>
Producer Mickie Most<br>
Audio Fidelity AFZ 269<br>
Remastered by Steve Hoffman<br>
The ISO image is created using sacd-ripper for PS3 version 0.21.<br>
<span class="post-b">Источник (релизер)</span>: pssacd (PS³SACD)<br>
<a href="http://www.elusivedisc.com/Jeff-Beck-Truth-Numbered-Limited-Edition-Hybrid-Stereo-SACD/productinfo/AFSA269/" class="postLink">http://www.elusivedisc.com/Jeff-Beck-Truth-Numbered-Limited-Edition-Hybrid-Stereo...uctinfo/AFSA269/</a>
<span>Об альбоме (сборнике)</span>
<span class="post-i"><span class="post-b">Truth</span></span> is the debut album by Jeff Beck, released in 1968 in the United Kingdom on Columbia Records and in the United States on Epic Records. It introduced the talents of his backing band the Jeff Beck Group, specifically Rod Stewart and Ronnie Wood, to a larger audience, and peaked at number 15 on the Billboard 200.<span class="post-br"><br></span><span class="post-i"><span class="post-b">All Music Review</span></span><span class="post-br"><br></span>Despite being the premiere of heavy metal, Jeff Beck’s Truth has never quite carried its reputation the way the early albums by Led Zeppelin did, or even Cream’s two most popular LPs, mostly as a result of the erratic nature of the guitarist’s subsequent work. Time has muted some of its daring, radical nature, elements of which were appropriated by practically every metal band (and most arena rock bands) that followed. Truth was almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums. Its attributes weren’t all new — Cream and Jimi Hendrix had been moving in similar directions — but the combination was: the wailing, heart-stoppingly dramatic vocalizing by Rod Stewart, the thunderous rhythm section of Ron Wood’s bass and Mickey Waller’s drums, and Beck’s blistering lead guitar, which sounds like his amp is turned up to 13 and ready to short out. Beck opens the proceedings in a strikingly bold manner, using his old Yardbirds hit “Shapes of Things” as a jumping-off point, deliberately rebuilding the song from the ground up so it sounds closer to Howlin’ Wolf. There are lots of unexpected moments on this record: a bone-pounding version of Willie Dixon’s “You Shook Me”; a version of Jerome Kern’s “Ol’ Man River” done as a slow electric blues; a brief plunge into folk territory with a solo acoustic guitar version of “Greensleeves” (which was intended as filler but audiences loved); the progressive blues of “Beck’s Bolero”; the extended live “Blues Deluxe”; and “I Ain’t Superstitious,” a blazing reworking of another Willie Dixon song. It was a triumph — a number 15 album in America, astoundingly good for a band that had been utterly unknown in the U.S. just six months earlier — and a very improbable success.<br>
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<span class="post-i"><span class="post-b">Featuring Rod Stewart, Jimmy Page, Ron Wood & Keith Moon!</span></span><span class="post-br"><br></span>Jeff Beck's debut solo LP was bound to be a great record with a band featuring talent like Rod Stewart on vocals, Ronnie Wood on guitar, plus contributions from Jimmy Page, Nicky Hopkins, Aynsley Dunbar and Keith Moon. The 1968 album got off to a staggering start and peaked at number 15 on the Billboard 200. Astoundingly good for a band that had been utterly unknown in the U.S. just six months earlier.<span class="post-br"><br></span>Truth was critically acclaimed for its daring, radical nature, elements of which would be appropriated by practically every metal band that followed. The recording is certainly regarded as a seminal work of heavy metal because of its use of blues toward a hard rock approach.<span class="post-br"><br></span>The combination of the wailing, heart-stoppingly dramatic vocalizing by Stewart, the thunderous rhythm section of Ron Wood's bas, Mickey Waller's drums and Beck's blistering guitar, which sounds like his amp is turned up to 13 and ready to short out, was as groundbreaking and influential a record as the first Beatles, Rolling Stones or Who albums.<span class="post-br"><br></span>There are lots of truly awesome unexpected moments on this recording, such as Beck's speaker-to-speaker guitar slides. It was a triumph of great tunes that are masterfully performed.
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发表于 2025-11-30 15:32:48
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