[SACD-R][OF] The Who - Quadrophenia - 1973/2012 (Rock)

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<var class="postImg postImgAligned img-right" title="http://s15.radikal.ru/i189/1209/e8/236c72cce69a.jpg">&#10;</var><span style="font-size: 24px; line-height: normal;">The Who - Quadrophenia (2012 SHM-SACD)</span><span class="post-br"><br></span><span class="post-b">Жанр</span>: Rock<br>
<span class="post-b">Годы записи материала:</span> 1973<br>
<span class="post-b">Год выпуска диска:</span> 2012<br>
<span class="post-b">Производитель диска:</span> Polydor UIGY-9093<br>
<span class="post-b">Аудио кодек:</span> DSD 2.0<br>
<span class="post-b">Тип рипа:</span> image (ISO)<br>
<span class="post-b">Битрейт аудио:</span> 5645 kbps<br>
<span class="post-b">Частота дискретизации:</span> 2,8224 MHz<br>
<span class="post-b">Продолжительность:</span> 83:23<br>
<span class="post-b">Наличие сканов в содержимом раздачи:</span> да<br>
<span class="post-b">Источник (релизер):</span> <var class="postImg" title="http://i32.fastpic.ru/big/2011/0925/90/ca8790d1342e26a9866a8f040fe1de90.png">&#10;</var><br>
<span class="post-b">Образ снят с помощью:</span> Sony PlayStation 3 и утилиты sacd-ripper v0.21<span class="post-br"><br></span><span class="post-b">Дополнительно:</span><br>
<a href="http://www.cdjapan.co.jp/detailview.html?KEY=UIGY-9093" class="postLink">http://www.cdjapan.co.jp/detailview.html?KEY=UIGY-9093</a><span class="post-br"><br></span><span class="post-b">Треклист:</span><br>
1. I Am The Sea 02:10<br>
2. The Real Me 03:22<br>
3. Quadrophenia 06:15<br>
4. Cut My Hair 03:46<br>
5. The Punk And The Godfather 05:17<br>
6. I’m One 02:40<br>
7. The Dirty Jobs 04:30<br>
8. Helpless Dancer 02:36<br>
9. Is It In My Head? 03:46<br>
10. I’ve Had Enough 06:18<br>
11. 5:15 05:03<br>
12. Sea And Sand 05:05<br>
13. Drowned 05:28<br>
14. Bell Boy 04:59<br>
15. Doctor Jimmy 08:39<br>
16. The Rock 06:40<br>
17. Love Reign O’er Me 05:51<hr class="post-hr"><span class="post-i">Quadrophenia</span> is the sixth studio album by English rock band The Who. Released on 19 October 1973 by Track and Polydor in the United Kingdom, and Track and MCA in the United States, it is a double album, and the group’s second rock opera. Its story involves social, musical and psychological happenings from an English teenage perspective, set in London and Brighton in 1964 and ’65.The name is a variation on the popular (and misnomered) usage of the medical diagnostic term schizophrenia as dissociative identity disorder to reflect the four distinct personalities of Jimmy, the opera’s protagonist – each said to represent the personality of one member of The Who. At the same time, the title is a play on the term quadraphonic sound, then a recent invention. Composer Pete Townshend has said: “The whole conception of Quadrophenia was geared to quadraphonic, but in a creative sort of way. I mean I wanted themes to sort of emerge from corners. So you start to get the sense of the fourness being literally speaker for speaker.”<hr class="post-hr">

<span>All Music Review</span>
<var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i613/1206/4d/ef4f400564f7.png">&#10;</var><var class="postImg" title="http://s019.radikal.ru/i633/1206/37/108ab181ec50.png">&#10;</var><span class="post-br"><br></span>Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod’s struggle to come of age in the mid-’60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren’t devising some fantasy, but were re-examining the roots of their own birth in mod culture. In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting personas at work within the Who themselves. The concept might have ultimately been too obscure and confusing for a mass audience. But there’s plenty of great music anyway, especially on “The Real Me,” “The Punk Meets the Godfather,” “I’m One,” “Bell Boy,” and “Love, Reign O’er Me.” Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record. Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who’s most powerful statements.
                                                                                       

                       
                       

                       
                       
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