[TR24][OF] Samantha Fish - Kill Or Be Kind - 2019 (Blues Rock)

cszz121 · 发表于 2025-11-30 15:32:35

Samantha Fish - Kill Or Be Kind<hr class="post-hr"><hr class="post-hr"><var class="postImg postImgAligned img-right" title="https://i5.imageban.ru/out/2019/09/20/440a327fc2389596b7cdaa65d8f19046.jpg">
</var>Формат записи/Источник записи: [TR24][OF] 
Наличие водяных знаков: Нет 
Год издания: 2019 
Жанр: Blues Rock 
Издатель (лейбл): Rounder Records 
Продолжительность: 00:45:32 
Наличие сканов в содержимом раздачи: Только обложка альбома 
Контейнер: FLAC (*.flac) 
Тип рипа: tracks 
Разрядность: 24/96 
Формат: PCM 
Количество каналов: 2.0 
Источник (релизер): <a href="https://www.highresaudio.com/en/album/view/tfeaak/samantha-fish-kill-or-be-kind" class="postLink">highresaudio.com</a><hr class="post-hr">Треклист 
01. Bulletproof (Tangle Eye Mix) 
02. Kill Or Be Kind 
03. Love Letters 
04. Watch It Die 
05. Try Not To Fall In Love With You 
06. Fair-weather 
07. Love Your Lies 
08. Dream Girl 
09. She Don't Live Around Here 
10. Dirty 
11. You Got It Bad<hr class="post-hr">Samantha Fish, vocals, guitars 
Austin Clements, bass 
Rick Steff, Fender Rhodes, Hammond B3 organ 
Doug Belote, drums 
Jim Spake, tenor and baritone saxophones 
Tom Clary, trumpet 
Andriu Yanovski, Moog synthesizer 
Anjelika “Jelly” Joseph, backing vocals 
Kayla Jasmine, backing vocals

Лог проверки качества

<pre class="post-pre"> foobar2000 1.4 / Dynamic Range Meter 1.1.1 log date: 2019-09-20 17:35:11 -------------------------------------------------------------------------------- Analyzed: Samantha Fish / Kill Or Be Kind -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR7 -0.20 dB -9.20 dB 5:19 01-Bulletproof (Tangle Eye Mix) DR7 -0.20 dB -10.16 dB 3:45 02-Kill Or Be Kind DR8 -0.20 dB -11.12 dB 3:39 03-Love Letters DR6 -0.20 dB -9.63 dB 5:00 04-Watch It Die DR9 -0.20 dB -11.57 dB 4:05 05-Try Not To Fall In Love With You DR8 -0.20 dB -12.36 dB 4:12 06-Fair-weather DR6 -0.20 dB -9.13 dB 2:48 07-Love Your Lies DR7 -0.20 dB -8.69 dB 4:15 08-Dream Girl DR8 -0.20 dB -11.50 dB 5:46 09-She Don’t Live Around Here DR7 -0.20 dB -10.01 dB 3:27 10-Dirty DR7 -0.20 dB -10.11 dB 3:22 11-You Got It Bad -------------------------------------------------------------------------------- Number of tracks: 11 Official DR value: DR7 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 3069 kbps Codec: FLAC ================================================================================ </pre>

Об альбоме (сборнике)
Samantha Fish announces “Kill Or Be Kind”. The Kansas City-born-and-bred musician flirts with tradition but pushes genre boundaries to create a sound that's distinctly her own: "She Don't Live Here Anymore", co-written by Parker Millsap, features a Memphis soul underpinning with a sustained vibrato guitar sound that edges toward country. "Love Your Lies" persuasively straddles punk, rockabilly, and soul; while "You Got It Bad (Better Than You Ever Had)" is a classic blues rocker, thick with layered guitars and a cigar box solo. She shows off her range with the sweetly wistful "Dream Girl" and the cathartic, blues saturated "Farewell My Fair Weather". “That was my mission on this album: To really set these songs up so that they have a life of their own,” says Samantha Fish about Kill or Be Kind, her sixth solo album and her debut on Rounder Records. “Strong messages from the heart – that’s what I really set out for.” Indeed, what comes across immediately on hearing the album is the extraordinary level of songcraft on its eleven tracks, the way these songs are so smartly put together to deliver a potent emotional impact. Anyone who has ever heard Fish’s previous albums knows that she has earned a place in the top rank of contemporary blues guitarists and that her voice can wring the soul out of a ballad and belt out a rocker with roof-shaking force. And, rest reassured, those virtues are fully in evidence on Kill or Be Kind. But each of the songs on the album does far more than simply provide a setting for Fish’s pyrotechnics. They tell captivating stories, set up by verses that deftly set the scene, choruses that lift with real feeling, and hooks that later rise up in your thoughts, even when you’re not aware that you’re thinking of music at all. It’s the kind of songwriting that emerges when raw talent is leavened by experience and aspiration, and when a committed artist genuinely has something to say. Those qualities make Kill or Be Kind a genuine artistic breakthrough for Fish. “I think I’ve grown as a performer and as a player,” she explains. “I’ve become more respectful of the melody. You can go up and down the fret board and up and down your vocal register, but that’s not going to be as powerful as conveying a simple melody that people can really connect to and sing themselves.” To make Kill or Be Kind, Fish chose to work at the legendary Royal Studios in Memphis, with Scott Billington as producer. “I worked at Royal before, when I made my Wild Heart album,” she says. “The soul in the walls, the vibe – you can feel it in that place. I’m such a fan of Al Green, Ann Peebles and all the classic recordings that happened there. Memphis just kept calling to me. I’ve always felt so inspired there.” As for Billington, a three-time Grammy winner, Fish appreciated both his open-mindedness and his willingness to ease her out of her comfort zone. “Scott allowed me to see the building-out process of the album all the way through, from the top to the bottom,” she says. “Bringing in background singers and synthesizers, which I’d never done on an album before, that added an extra edge. Honestly, it was a challenge. It pushed me to think about the songs differently. That trust from my producer gave me the freedom to really take some risks.”

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